In the cloak and dagger world of military affairs and espionage it is particularly difficult for journalists to penetrate the surface and to get to the essence of a story when it is in every side's interest to obfuscate or even lie. On this tough beat I have always had tremendous respect for Seymour Hersh, who has broken more than his fair share of explosive stories which have been extremely embarrassing to the powers that be (e.g. My Lai Massacre, Abu Ghraib prison abuses).Thursday, November 12, 2009
The Security of Pakistan's Nuclear Weapons
In the cloak and dagger world of military affairs and espionage it is particularly difficult for journalists to penetrate the surface and to get to the essence of a story when it is in every side's interest to obfuscate or even lie. On this tough beat I have always had tremendous respect for Seymour Hersh, who has broken more than his fair share of explosive stories which have been extremely embarrassing to the powers that be (e.g. My Lai Massacre, Abu Ghraib prison abuses).Sunday, November 01, 2009
Some (Morbid) Fragments After a Hiatus
Several months have passed since I wrote something in this space. There was nothing in particular that held me back other than the routine, ordinary distractions of life but often it is a work of literature or art that, as the Quakers say, "moves one to speak".Recently a friend and a colleague died at a young age and I had the subject of death on my mind when I came across W.H. Auden's poem "At the Grave of Henry James". How well it expresses the finality of death, the utter despair that even the "great and talkative" Master will forever dwell in eternal silence! A unique mind and his particular novelty gone forever just like all those others under those "rocks named after singular spaces" in that Cambridge municipal cemetery.
While rocks, named after singular spaces
Within which images wandered once that caused
All to tremble and offend,
Stand here in an innocent stillness, each marking
the spot
Where one more series of errors lost its uniqueness
And novelty came to an end.
To whose real advantage were such transactions,
When worlds of reflection were exchanged for trees?
What living occasion can
Be just to the absent? Noon but reflects on itself,
And the small taciturn stone, that is the only witness
To a great and talkative man,
Has no more judgement than my ignorant shadow
(excerpt from "At the Grave of Henry James" by Wystan Hugh Auden)
While on the subject of death, I recently revisited one of my favorite Phillip Larkin poems and I would be remiss if I did not share his great but terrifyingly dark poem "Aubade" (pronounced 'o-baad').
I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what's really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse
- The good not done, the love not given, time
Torn off unused - nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.
This is a special way of being afraid
No trick dispels. Religion used to try,
That vast, moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear - no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anasthetic from which none come round.
And so it stays just on the edge of vision,
A small, unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.
Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can't escape,
Yet can't accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
This past summer's great pop culture anthem has been the Black Eyed Peas' wonderful song "I Gotta Feeling". The catchy track is in their latest album titled "The E.N.D. (Energy Never Dies)". Every time I see the title of that album I think to myself: "But it does, it inevitably does".
Photograph: Phillip Larkin
Sunday, June 21, 2009
Saturday, May 23, 2009
The Evolution of a "Third Culture"
In a blog entry I wrote early last year on the Harvard evolutionary psychologist Steven Pinker and his essay "The Moral Instinct", I expressed my great admiration for a whole generation of world class scientists who have ably taken on the task of speaking not just to their peers but also the wider audience of curious non-specialists. We increasingly live in an age where serious study of the social sciences and even the humanities have to account for the findings of cutting edge neuroscience, cognitive biology, cosmology and other scientific disciplines if they are to be taken seriously.Edge Foundation has an excellent website devoted to the promotion of the "Third Culture" which in their own words "consists of those scientists and other thinkers in the empirical world who, through their work and expository writing, are taking the place of the traditional intellectual in rendering visible the deeper meanings of our lives, redefining who and what we are." What recently took me to the site were six video interviews posted there with eminent intellectuals asking them about the progress of the Third Culture (the term is derived from a 50 year old lecture titled "The Two Cultures" by the English physicist C. P. Snow who bemoaned the serious gulf between scientists and literary intellectuals).
Here is Steven Pinker's interview on this topic:
While on this topic I must mention the delightful profile of the pioneering Univ. of California, San Diego behavioral neurologist, Vilayanur Ramachandran in the May 11th, 2009 issue of The New Yorker. It is frustrating that this excellent profile by John Colapinto is not available online to non-subscribers so I cannot link to the full article. Suffice to say that I would highly recommend finding the article and reading it. Ramachandran comes across as a brilliantly innovative scientist with a fascinating biography, a warm and quirky personality and a passion for problem solving and the communication of ideas. The profile describes his ingenious solution to the problem of pain in phantom limbs using a simple mirror therapy. In a blog on the New Yorker site, Colapinto provides a fascinating description (including photos) of how the mirror therapy works by tricking the mind. Atul Gawande also wrote about this therapy in his New Yorker article called "The Itch" which I blogged about here.
November 1st, 2009 update:
Ramachandran dazzles in this video interview below hypothesizing how the problem of consciousness is likely to be explained. He believes that the potential explanation lies in some unique trajectory of human neurological evolution and that qualia (conscious knowledge of a sensation) and awareness of self are linked phenomena.
Sunday, May 03, 2009
Justice Souter Retires
After 19 years, Justice David Souter has decided to leave the bench at age 69. Linda Greenhouse in today's Sunday Times, has an admiring portrait of the somewhat eccentric, reclusive and scholarly New Hampshire jurist who even as he was ill at ease in the public aspects of his office was intellectually very well equipped to be an associate justice.For years now, Justice Souter had come to be seen as a reliable vote on the side of the court's liberal justices and despite being acknowledged as a keen intellect, his tenure on the court will likely be seen as unexceptional. Unlike a Scalia, he was not an icon for any particularly staunch philosophical view of constitutional interpretation. He did not occupy a pragmatic (sometimes indecipherable) middle in the way of Kennedy which makes him the obsessive focus of court watchers in every close case. And unlike Justice Brennan (whom he replaced) he was not a coalition builder with any penchant for shaping close opinions that could garner a majority for his preferred outcomes. Instead, Justice Souter will most likely be remembered as an independent-minded elder Bush appointee who upset Republican expectations of a reliable conservative vote for Scalia and surprisingly reaffirmed the constitutionality of the court's previous abortion decisions in Planned Parenthood v. Casey (1992).
An excerpt:
This pattern gave rise to a widespread view of Justice Souter as a misfit or a loner, not quite in touch with modern life. But to focus on his eccentricities — his daily lunch of yogurt and an apple, core and all; the absence of a computer in his personal office — is to miss the essence of a man who in fact is perfectly suited to his job, just not to its trappings. His polite but persistent questioning of lawyers who appear before the court displays his meticulous preparation and his mastery of the case at hand and the cases relevant to it. Far from being out of touch with the modern world, he has simply refused to surrender to it control over aspects of his own life that give him deep contentment: hiking, sailing, time with old friends, reading history.
Thursday, April 30, 2009
National Poetry Month - "Moment" by Wislawa Szymborska & "Account" by Czeslaw Milosz
April is National Poetry Month and the New York Review of Books has been posting a poem every day this month to celebrate the, I suspect, not widely recognized occasion. Even though I can only read them in translation, I have always had a particular affinity for twentieth century Eastern European writers and poets (Brodsky, Milosz, Szymborska, Kundera and of course Kafka). They seem to capture the twentieth century zeitgeist in deeply intimate ways, perhaps because so many of the century's defining struggles and human tragedies played out on their soils.I have posted Szymborska's wonderful poem " A Few Words on the Soul" in a previous post. In this poem "Moment", she evokes the serene, timeless harmony of nature's beauty. These beautifully contemplative descriptions of nature are a popular theme in her poetry. However, the subtext is the ephemeral human observer, with or without whom nature would continue on oblivious of being observed and indifferent to history's events unfolding around it.
"Moment" - Wislawa Szymborska
I walk on the slope of a hill gone green.
Grass, little flowers in the grass,
as in a children's illustration.
The misty sky's already turning blue.
A view of other hills unfolds in silence.
As if there'd never been any Cambrians, Silurians,
rocks snarling at crags,
upturned abysses,
no nights in flames
and days in clouds of darkness.
As if plains hadn't pushed their way here
in malignant fevers,
icy shivers.
As if seas had seethed only elsewhere,
shredding the shores of the horizons.
It's nine-thirty local time.
Everything's in its place and in polite agreement.
In the valley a little brook cast as a little brook.
A path in the role of a path from always to ever.
Woods disguised as woods alive without end,
and above them birds in flight play birds in flight.
This moment reigns as far as the eye can reach.
One of those earthly moments
invited to linger.
Translated from the Polish by Joanna Trzeciak
------------------------------------------------------------------------

The second poem here by Milosz is considerably darker. As is to be expected from the author of "The Captive Mind", this is a powerful poem of intellectual introspection.
"Account" - Czeslaw Milosz
The history of my stupidity would fill many volumes.
Some would be devoted to acting against consciousness,
Like the flight of a moth which, had it known,
Would have tended nevertheless toward the candle's flame.
Others would deal with ways to silence anxiety,
The little whisper which, though it is a warning, is ignored.
I would deal separately with satisfaction and pride,
The time when I was among their adherents
Who strut victoriously, unsuspecting.
But all of them would have one subject, desire,
If only my own—but no, not at all; alas,
I was driven because I wanted to be like others.
I was afraid of what was wild and indecent in me.
The history of my stupidity will not be written.
For one thing, it's late. And the truth is laborious.
(Berkeley, 1979)
Translated from the Polish by Robert Haas & Robert Pinsky
Tuesday, April 21, 2009
In Memoriam - The Great Iqbal Bano (1935-2009)
Iqbal Bano, one of the great exponents of semi-classical ghazal singing in the sub-continent, passed away in Lahore at the age of 74. I have recounted a reverie precipitated by her beautiful rendition of Faiz's ghazal "Yeh mausam-e-gul" in a previous post.The Pakistani newspaper Dawn has a good obituary of Iqbal Bano here and some great photos of the icon in their media gallery. She was born in Delhi in 1935 and was the pupil of Ustad Chaand Khan of the Delhi Gharana. She moved to Pakistan in 1952 at the age of 17 and had her first public concert at the Lahore Art Center in 1957. She was awarded the "Pride of Performance" by the government in 1974.
Even though in the popular imagination her singing is eternally connected with the poetry of Faiz Ahmed Faiz and in particular with the anthem "Hum dekheiN ge", which she performed in virtually every public concert, Iqbal Bano was a versatile singer. She sang some very popular numbers for films in the 1950's. However, along with Ustad Amanat Ali Khan, Farida Khanum and the maestro Mehdi Hassan her real distinction was to be a part of that august group of vocalists in Pakistan who revolutionized post-partition ghazal singing by transforming it into a semi-classical form like thumri and dadra. If you listen to pre-partition ghazals, even by eminences such as K.L Saigal, the ghazal was performed like a light film song. As Pakistani audiences were more hospitable to Urdu poetry rather than the arachaic lyrics of traditional semi-classical forms, the classically trained musicians such as Iqbal Bano adopted ghazal as their medium for classical musical expression. The effect was exhilarating for fans of both Urdu poetry and the Hindustani classical vocal tradition. In the next generation there are few who have the stature and skill of the first-generation of pioneering icons with the possible exception of Abida Parveen and to a lesser extent (in my opinion) Ghulam Ali.
But for any artist it is always the work that speaks most clearly so here is some sampling of Iqbal Bano's singing. I have selected, as embedded videos, a few of my favorite ghazals/geets by Iqbal Bano. Some are slightly lesser known but I have also provided some youtube links to her most popular music below.
Iqbal Bano singing Faiz's wonderful ghazal "Na gaNwaao navak-e-neem kush":
Here is a personal favorite semi-classical piece with traditional lyrics "Ab kay Saawan ghar aaja": (her live image starts at 1:52):
The semi-classical piece above was adapted as a "zippier" song version for the 1959 film 'Nagin' and here Iqbal Bano is singing that version on PTV:
For the last sample let's go out with perhaps Iqbal Bano's most popular geet "Payal meiN geet haiN cham cham ke" originally sung for the 1954 film 'Gumnaam":
Photo Courtesy: Dawn
Sunday, April 12, 2009
Exploring the Paths to Happiness - To the Best of Our Knowledge
Wisconsin Public Radio produces a two hour weekly radio show called "To the Best of Our Knowledge". This Peabody award winning show calls itself an audio magazine of ideas and that description is as good as any. Each hour of the show is centered around a theme which is explored through intelligent thought provoking interviews.
The theme of today's first hour was "Our Peace of Mind" and had a series of wonderful conversations illuminating the idea of happiness and the persistent human quest for peace of mind. Conversations are with people as diverse as Jill Bolte-Taylor (a brain scientist who has written an interesting book about insights developed from her own stroke), Richard Davidson (a neuro-psychologist who has studied the effects of meditation on human brain by working with Buddhist monks), Satish Kumar (a former Jain monk) and a particularly interesting conversation with cultural historian Richard Schoch who is the author of "The Secrets of Happiness: Three Thousand Years of Searching for the Good Life".
You can listen to this segment of the show and see information on the various books and music in this piece here. I highly recommend it.
Saturday, March 21, 2009
"Laal" - Anthems of a Different Pakistan
Few musical voices are more emblematic of the rise of Pakistan's civil society in the last couple of years than the group that goes by the name "Laal". The day after the restoration of the Chief Justice on March 16th, 2009 they headlined a concert on Geo Television Network celebrating this hopeful moment in Pakistan's history. I love the spirit and music of these young men who, unlike many in their elite ranks, are embracing the struggle for a just society. Here is a relatively old interview with them."Laal" in Urdu means the color red and fittingly the members of the group are passionate left wing activists. Supporters of democratic freedoms they wish to highlight the wretched class divisions of Pakistani society and struggle against them. Shahram Azhar, the vocalist and Taimur Rahman who has composed most of the songs met at the Lahore University of Management Sciences (LUMS) where Taimur was a lecturer and Shahram a young student. They have only released a few songs but the lyrics they have chosen to sing are overtly political anthems by the leading socialist and liberal voices of Pakistan like Faiz Ahmed Faiz and Habib Jalib. Shahram's Facebook page lists people as diverse as Evo Morales, Rosa Luxemburg and Bhagat Singh as influences.
My personal favorite is "Umeed-e-Sehar" ("The Promise of Dawn") by Faiz Ahmed Faiz. It is a wonderful composition, the video is simple but powerful and the impact of Faiz's beautiful poetry is enhanced by skillful vocals. Surprisingly, the English subtitles are not clumsy literal translations but actually convey something of the power of the original.
Their biggest hit so far was the first track they released called "MeiN ne us se yeh kaha". This is Habib Jalib's famous poem called "Musheer" or "Advisor" which lampoons the obsequious advisors who seem to surround everyone who attains power in Pakistan. Thanks to Zakintosh, I have a 1960's recording of Habib Jalib singing his own poem a cappella. The melody is exactly the same as Laal's version with instruments. Unfortunately this video does not have subtitles.
Saturday, March 14, 2009
And, now, for something completely different -- Pakistani Women Cricketers
Even as I follow the twists and turns of the political and security situation in Pakistan with grave concern, observe the myopia of the country's governing leadership and witness its hapless citizens experience the steady erosion of state institutions, I have chosen not to write much about it on this blog. Instead I have stayed engaged in that ever evolving discussion on a separate online political forum so as not to inundate this blog with minutiae of Pakistani politics.However, I was disappointed but not surprised that amongst all the political hullabaloo a wonderful Pakistani story went under-reported. The ICC Women's Cricket World Cup is currently being played in Australia and the Pakistan Women's team is not only ably representing their under-siege country but has performed significantly better than expectations. On March 9th, they beat Sri Lanka Women by 57 runs in Canberra to win their first ever World Cup match after six previous losses. This was also the team's first ever win against Sri Lanka in 19 ODIs. The team lost their next two matches against India and the favorites, England. However, the victory against Sri Lanka allowed the Pakistanis to move into the Super Six round where they were ranked at the bottom. Even as they were always unlikely to make the semi-finals they demonstrated some fighting spirit once again by defeating the West Indies Women by four wickets in the Super Six round match on March 14th in Sydney. They now face Australia on March 16th and New Zealand on March 19th for their final two Super Six games in Sydney.
The star performers with the bat have been the captain Urooj Mumtaz, the opener Nain Abdi and Armaan Khan, who in partnership with Urooj led the successful fight back in the chase against the West Indies. The fast bowler Qanita Jalil has been the main strike bowler but has been assisted strongly by the allrounder Sana Mir and the captain herself. Sana's steady performances both with the bat and the ball have been the critical contributors to the team's success.
This World Cup seems to be a turning point for the team as they will gain tremendous confidence from their victories on foreign soil and against better fancied opposition. If only they got some steady support from the Cricket Board and the people of Pakistan, perhaps one day these women would win Pakistan the World Cup that the men have not been able to win since 1992. The courage of these young women to play competitive sport in a culture that hardly encourages it and their heroic performance without much support from any corner deserves rich tributes and is particularly poignant in the wake of the Talibanization of parts of the country and the dastardly terrorist attack on the visiting Sri Lankan national team in Lahore. I hope that Pakistanis will make an effort to recognize and reward the marvellous contributions of this band of pioneering cricketers.


Photos: 1) Urooj Mumtaz lifted up in celebration 2) Naila Nazir, Qanita Jalil & Urooj Mumtaz; 3) Nain Abdi playing a square cut 4) Qanita Jalil running in to bowl 5) Sana Mir playing an off drive (Courtesy Cricinfo)
Sunday, February 22, 2009
A Divine Musical Collaboration - Noor Jehan & Khurshid Anwar
In the wake of Khalid Hasan's death, the great Pakistani songstress Noor Jehan (Wikipedia) has been much on my mind. Khalid Hasan was a great admirer of the late Madam and wrote a much quoted tribute essay on Noor Jehan. Perhaps more importantly he translated Saadat Hasan Manto's great portrait of Noor Jehan's early years as a rising diva in pre-partition Bombay under the title "Nur Jehan: One in a Million" (unfortunately this link is to a scan of the essay and hard to read but the essay is included in the collection "Stars from Another Sky"). "Stars from Another Sky" includes other translations of Manto's brilliant Urdu sketches published in "Ganjay Farishtay" and "Loudspeaker" on film industry icons like Ashok Kumar, Nargis, Naseem Bano (Dilip Kumar's wife, Saira Bano's mother) and Shyam.
I have been listening to many of Noor Jehan's great songs from the 1950's. Listening to this music when she was at the pinnacle of her singing powers is a magical experience but one thing stands out. She was at her greatest when teamed up with that other giant of Pakistani film music: the virtuosic scholar composer Khawaja Khurshid Anwar. After he moved to Lahore in 1955, his music in films like Mirza SahibaaN" (1955), "Intezaar" (1956), Zehr-e-Ishq (1958), "Koel" (1959) and as late as 1970 in "Heer Ranjha" provided the perfect platform to showcase Noor Jehan's vocal talent. Khawaja Khurshid Anwar needs a separate blog post all his own but one of my treasured possessions is the recordings he arranged in Pakistan under the title "GharanoN ki Gayaki" to help capture and preserve the various styles of classical singing of several of the "Hindustani" schools of gayaki.Now for my choice of the brilliant collaboration between Khurshid Anwar and Noor Jehan. Here is the song "Tere Bina Suni Suni Lage Re, Chaandni Raat" from the film "Koel". I love listening to this over and over again much to the chagrin of my family.
Ghazab kia tere waade pe aitbaar kiya
Tamam raat qayamat ka intezaar kiya
Top Photo: Noor Jehan and Pran in Lahore fimmaker Dilsukh Pancholi's film "Khandaan" (1942) - This was Noor Jehan's first film in Urdu (she had previously starred in four Punjabi films). The music was by Master Ghulam Haider.
Bottom Photo: Khawaja Khurshid Anwar in 1957 holding the President's Award for Best Story and Best Music for the film "Intezaar".
Saturday, February 07, 2009
Khalid Hasan (1934 - 2009) - Rest in Peace
Khalid Hasan, a giant of Pakistani journalism, died on February 6th in Northern Virginia of prostate cancer at the age of 74. In him, Pakistan and the sub-continent have lost a remarkable journalist, a talented translator, an acute cultural critic and an inside chronicler of people and events on the Pakistani cultural scene, particularly of the times before the barrenness of the Zia years set in.There has been an outpouring of appreciations of Khalid Hasan as a man and a journalist. Here is a message from his son and an appreciation by Afzal Khan. For a flavoring of his lifetime of writings the best resource is his own site Khalid Hasan Online. This site has an extensive collection of his journalistic writings but I would direct people to some of the "Longer Pieces" such as "Nur Jehan" or "Sialkot" to fully experience his fine social sensibility and the infectious warmth for people that shines through.
On this blog, one of the most read entries is on the child prodigy Master Madan. That piece had derived inspiration in part from Khalid Hasan's column on Master Madan's lost recordings in Dawn. We never met in person but at the time I reached out to Khalid Hasan Sahib to express my appreciation for his contributions to Pakistani letters. He was extremely generous in his response and I will cherish that brief exchange with him.
In memoriam, here is the e-mail tribute I had written to him on October 2nd, 2006 and his warm acknowledgment of it.
Khalid Hasan Sahib,
I have been a fan of your journalistic writing for years. Although, on many occasions I have meant to reach out and express my gratitude for your writings on Pakistani (& sub-continental) culture, somehow I never got around to actually doing it. An important part of your contribution is your choice of writing in the English language. In doing so, you are helping preserve the memory of precious bits of our culture, both for the Pakistani diaspora and the young Pakistani elite, which even if it cares about our heritage, no longer considers knowledge of literary Urdu an important component of its identity.
There are so many forgotten corners of our cultural history that you have illuminated, its hard to know where to start. Your writings on Government College, Lahore and the many illustrious people associated with it have always brought back wonderful memories and revealed wonderful tidbits about those luminaries. My father, Khawaja Muhammad Zakariya studied there, taught Urdu there for a year in 1962 before spending the rest of his career at Punjab University, so I grew up hearing stories about legends like Patras, Dr. Nazeer, Taseer, Sufi Tabassum and countless others. I also particularly enjoy your writings on Lahore and your profiles of distinguised people (statesmen, writers, musicians, poets, film and radio-wallahs). I have been delighted that you have been translating much of A. Hameed's personal recollections of Lahore as they capture so many little details of a Lahore that no longer exists (even if some details of A. Hameed's accounts have been disputed by others, but then again that is the nature of memory) .
Cultural history, memoir and biographical essay remain much neglected areas in our country and you are helping capture so much of what is being lost. At least in Urdu there are many more volumes but one wishes more of those were translated as well. Manto's biographic sketches are, of course, pure genius. Ashiq Hussain Batalvi ("Chand yadeiN chand taasurat"), Daud Rahbar ("Paraganda tab'aa log", "Nuskha hai wafa", "Chand bateiN sureeli see"), Intizar Hussain ("CharaghoN ka dhuaN", "Dilli tha jis ka naam"), Lutfullah Khan ("Sur ki talash", Hijraton ke silisile") and Manzoor Ilahi's "Silsila-e-roz-o-shab" have given me great pleasure over the last few years. Perhaps other talented and prolific people like you will take the cudgels one day and bring these works to an English-speaking audience.
I apologize for this impolitely long communication. What finally prompted this e-mail was an essay I just read by Pran Neville on Master Madan. It took me back to your illuminating article on Master Madan published in Dawn in 2001 (from which his seems to be derived) and your account of the discovery of his lost recordings by M. Rafiq. I had heard the two Saghir Nizami ghazals growing up as my father played those recordings for us but I am fortunate enough to have listened to the other six recordings on the internet as well. Pran Neville's essay prompted me to write a brief entry on my blog which I thought you might find mildly interesting(http://writtenencounters.blogspot.com/)Please carry on your wonderful work. There aren't too many people left who can shine such a bright light on the hidden corners of our rich and beautiful cultural heritage.
Kind Regards,------------------------------------------------------------
My dear Fawad Zakariya Sahib,
I am overwhelmed by your letter (which is what emails can be but seldom are). I really had no idea I have done all that you credit me with. I take it you are able to access The Friday Times for which I write the "memorabilia" pieces every week. I should add that I have translated almost all of Manto's Ganjay Frishtay which was first published by Penguin in New Delhi as Stars from Another Sky. Those translations were later included in the omnibus volume A Wet Afternoon, published by Alhamra in Islamabad. You will be pleased to know that I have translated a lot more of Manto (including his only stage play, the little-read 'Iss Manjhdaar Mein' and many stories I had left out, plus some of his sketches) which is now under publication by Penguin in New Delhi. I hope the book is in print by the next Spring.
By the way, I studied at Murray College and though I joined Government College for a few months for MA (English) but (is that heresy?), I preferred to return to Sialkot where we still had wonderful British teachers like Prof A. W. Mowat. That being so, I cannot (and have not) called myself a Ravian. Prof. Zakariya Sahib of course I know of but as far as I can recall I have never met him. Our son lives close to ___ and next time I am in that part of the world, perhaps we can meet.
All the best and thank you for your most heart-warming message.
Khalid Hasan
Sunday, January 25, 2009
At the Inauguration
I wrote a very brief note in Washington DC on the day of Obama's inauguration on January 20th which I sent to some friends. Here it is below with some photographs I took that day:


Tuesday, January 13, 2009
Debating Economics - What to Read if you Expect Intellectual Rigor
Mainstream US media is a vacuous echo chamber where conventional wisdom is endlessly repeated with a sprinkling of semi-relevant insider quotes and anecdotes to provide a veneer of credibility. Reading the popular press on economic and financial matters is a particularly frustrating experience. The more specialized a field the greater the propensity of journalists to rely on a few easy to reach sources of authority and pass half-digested opinion on to readers as information. To expect intellectually rigorous original thinking from economic journalists seems to be asking too much.Sunday, January 11, 2009
The Magical Trio - Kabir, Abida Parveen & Gulzar
Bhagat Kabir Das is a revered 15th century Indian saint poet much loved for his mystic verses that beautifully embrace a simple, non-sectarian and egalitarian spirituality. Sikhism's holy book Guru Garanth Sahib includes almost 500 verses by Kabir. Gulzar (born Sampooran Singh Kalra in 1936 in Jehlum District in pre-partition Punjab) is a modern Indian poet and lyricist best known for his sublime poetic contributions to Indian cinema. Abida Parveen has been mentioned on this blog a number of times. Hailing from Larkana, Sindh (born in 1954) she is one of the finest performers of sufi classical music and is justly referred to as the Queen of Sufi Music.Below is a soul-stirring rendition of Kabir's "Mann Laago Yaar Faqiri MeiN" by Abida Parveen. In the introduction in Urdu, Gulzar pays rich tributes to Abida's divine talent. Here's a poor translation of Gulzar's beautiful words: "Her voice sounds like the voice of all worship. When she calls out to the divine you think yes, this voice must reach him; he too must be listening to this deeply sincere, truthful voice."
Saturday, January 03, 2009
Sufi Islam in South Asia – “A Staggering Multicultural Achievement”
Every year, The Economist magazine prints a delightful ‘special holiday double issue” around Christmas. It is filled with unfailingly interesting essays on an amazingly wide array of subjects. This year’s piece de resistance is the essay on South Asian Sufi Islam titled “Of Saints and Sinners”.The essay is a wonderfully reported depiction of popular Islam as practiced by the millions of devotees of Sufi saints whose tombs and shrines are dotted all across India and Pakistan. These adherents range from the more serious-minded who seek self knowledge as a path to knowing God through contemplation, meditation and Quranic recitations to the far more numerous who flock to these shrines to beseech the saints to answer their prayers, leave offerings of gratitude and to celebrate the popular festivals centered around the urs (death anniversary) of their respective saint. An urs is a festive celebration because the word literally means wedding night to signify the saint's union with God after death.
The Economist essay is focused in large part on the celebration of the urs of the sufi saint Lal Shahbaz Qalandar in Sehwan Sharif in Sindh, Pakistan where almost a million people congregate for this 3-day event. (2008 was the 734th anniversary of Lal Shahbaz Qalandar's death.) The descriptions of the throngs of devotees, their diversity and tolerance, the ubiquitous scenes of dancing and celebration with non-stop performances of beautiful music and sufi poetry are joyous and heart-warming.
The Economist does not acknowledge it but it would be unfair not to give credit here to Declan Walsh of "The Guardian" who first reported in the Western press on this great gathering in Sehwan Sharif last year and where I first learnt of this incredible festival in rich detail. His two pieces in 2007 called "Devotees go for a whirl at the country's biggest party" and "The greatest party on earth?" are well worth reading. In particular there is a fantastic audio slideshow that I highly recommend. It has several wonderful photographs from the festival and a very traditional qawwali performance at the shrine in the background.
We cannot move on without sampling some music deeply associated with Sehwan and Lal Shahbaz Qalandar. The signature performance honoring Qalandar (also affectionately known as Jhuley Lal because devotees believe that he fulfils the fertility wishes of childless mothers) is "Lal Meri Pat Rakhio Bhala Jhule Lalan". Every major Sufi musician or Qawwal performs this regularly and it is not unusual to end the program with this as a finale as it tends to bring the house down. Here are distinctly different versions of this piece from two of the greatest sufi singers of the last half century. Here is Nusrat Fateh Ali Khan who is in superb form here:
and here is the inimitable Abida Parveen:
There has been a relentless onslaught in Pakistan against this popular and syncretic form of religion for the last 30 years. Since the beginning of the Russo-Afghan war in 1979, the Pakistani military state, Saudi Wahhabi zeal fueled with petrodollars and American cold war myopia all conspired to promote an intolerant and jihadi Islam that has done tremendous damage to the fabric of mostly tolerant South Asian Islam practiced in much of Punjab and Sindh for centuries. Mercifully, it has still survived in very large pockets because it has roots in the people. Yes, it is superstitious but it is also remarkably generous, tolerant and joyful.
Lahore, where I grew up, is a city full of shrines and mausoleums of saints with each of these hundreds of sites tended to by dedicated keepers and visited in large numbers by devotees, particularly for the annual urs celebration. Each saint has their own legend and mythology and locals keep these traditions alive primarily through oral story-telling. Even when you move beyond the large and well known destinations, like the tomb ('mazar') of Data Ganj Baksh Ali Hajveri (the 11th century sufi who is virtually the patron saint of Lahore) or that of Hazrat Mian Mir (the 16th century saint deeply venerated by Jahangir and Shahjehan and whose tomb was constructed by Shahjehan's son, the poet-prince Dara Shikoh), there is an endless stream of people who visit lesser known but no less fascinating shrines of saints whose stories read like something out of Arabian nights.
There is the shrine of Madho Lal Hussain (which is actually two separate people, the Hindu boy Madho and the saint Lal Hussain, who legend has it were inseparable), the site of the annual Mela ChiraghaN (Festival of Lamps) and a place revered by both Hindus and Muslims. There is the remarkable 16th century mazar of the child saint Ghoray Shah (who died when he was 5) and who, it is believed, loved toy horses so a gift of a toy horse from his followers would result in their prayers being answered. This mazar is crowded with people and you can see the many toy horses that devotees continue to bring for Ghoray Shah. There is also Bibi Pak Daman (Chaste Lady), one of the most popular shrines in the city (not far from Queen Mary's College) which is reputed to be the sepulchre of Ruqqaiya or Bibi Haj and her five virgin sisters. Again, according to local legend Bibi Haj was from Hazrat Ali's family and came to the sub-continent in the early 8th century several years after the battle of Karbala. However, the earth opened up and buried her alive after she had been asked to appear in front of the local ruler which the chaste lady did not wish to do. (Historians date this grave instead to the 12th century and surmise that the daughters buried here were those of Syed Ahmed Tokhta Tirmizi). And hundreds of these Shehrzad-like stories go on and on in a muddled but tolerant, rich and captivating mix of religion and superstition.
Credits: Information about Lahore's shrines are sourced from Yasmeen Lari's excellent Heritage Guidebook on Lahore.
Friday, January 02, 2009
Gotham Book Mart's Collection Goes to Penn
Here's a little excerpt and a photograph from the news story that gives a sense of the bookstore's history:
The Gotham Book Mart was founded on West 45th Street in 1920 by Frances Steloff. It was the haunt of literary figures like Theodore Dreiser, John Dos Passos, H. L. Mencken, Arthur Miller, John Updike, J. D. Salinger and Eugene O’Neill. It exhibited the works of the artist Edward Gorey. Its customers included George and Ira Gershwin, Charlie Chaplin, Alexander Calder, Stephen Spender, Woody Allen, Saul Bellow, John Guare, Katharine Hepburn and Jacqueline Kennedy Onassis. At various points, Allen Ginsberg, LeRoi Jones and Tennessee Williams (for a day) worked as clerks there.
The Gotham Book Mart was famous for its literary eminences. A December 1948 party for Osbert and Edith Sitwell (seated, center) drew a roomful of brightlights to the Gotham Book Mart: clockwise from W. H. Auden, on the ladder at top right, were Elizabeth Bishop, Marianne Moore, Delmore Schwartz, Randall Jarrell, Charles Henri Ford (cross-legged, on the floor), William Rose Benét, Stephen Spender, Marya Zaturenska, Horace Gregory, Tennessee Williams, Richard Eberhart,Gore Vidal and José Garcia Villa. (Photo: Gotham Book Mart)
Wednesday, December 31, 2008
Zbigniew Brzezinski is Right
However, each separate escalation and the attendant bout of violence only serves to obscure the real problem: the lack of an energetic, sustained and fair peace process led by the U.S with visible results and a clear timeline and milestones for a two state solution. The Bush administration abandoned all pretense of even-handedness in the region after Clinton had at least engaged the two sides constructively toward a workable solution at Taba in his waning days. However, Ariel Sharon then came to power in Israel along with Bush in the U.S. putting an end to the peace process with the resulting despondency triggering the second intifada.
Even though the abject failure of the Bush administration in the Middle East is one major reason for the lasting damage done to American interests, moral standing and credibility in the world, Israel remains the third rail of Amercian politics. No administration (or mainstream media outlet) can be seen as anything less than 200% supportive of even self-destructive Israeli policies. This remains true even as there are more Amercian Jewish groups working to advance the cause of peace who (rightly) believe that Israel's long term security will be best served by making a just peace with its neighbors and isolating the extremist fringe with political action not bombings and blockades. The Obama administration will not be much different in its timidity to responsibly engage with the Palestinian-Israeli question for fear of political landmines but he should listen to Dr. Zbigniew Brzezinski's advice.
Dr. Brzezinski (National Security Advisor in the Carter Administration) outlined the case for American involvement and as a bonus took Joe Scarborough (a media talking head) to task. Joe was mouthing the standard mainstream media cliches but Brzezinski was having none of it. Watch the exchange below:
"You know, you have such a stunningly superficial knowledge of what went on that it's almost embarrassing to listen to you." (Brzezinski to Scarborough)
Wednesday, December 24, 2008
On the First Day of Newton, My True Love Gave to Me
There is a delightful column yesterday by Olivia Judson in the New York Times called "The Ten Days of Newton". (Browsers of this blog are familiar with her column "The Wild Side" and some of her writings on evolution in that forum.)The reason the interval became necessary is that the Earth, inconveniently, does not orbit the sun in an exact number of days. Instead, the Earth’s orbit is 365 days and a bit. The “bit” is just under a quarter of a day.
It wasn’t always thus. Some 530 million years ago, when animals like the trilobites were skittering around, days had less time. Back then, a day was only 21 hours, and a year was about 420 days. In another 500 million years, perhaps a day will be 27 hours, and a year fewer than 300 days. Because of the friction exerted by the moon, the Earth is slowing down. Indeed, already the days are a tiny bit longer than they were 100 years ago.
Because the orbit isn’t an exact number of days, our calendars get out of sync with the seasons unless we correct for the fractional day. The Julian calendar, which was put in place by Julius Caesar in 45 B.C., was the Romans’ best effort at making a systematic correction. Before that, the Roman calendar gave 355 days to the basic year, and every other year was supposed to include an extra month of 22 or 23 days.
But over a period of 24 years, that gave too many days; so in some years, the extra month was supposed to be skipped. This didn’t always happen. By the time the Julian calendar was introduced, the Roman calendar was so far out of sync with the seasons that the year before the first Julian year had to include a massive correction; that year, referred to as “the last year of confusion,” was 445 days. Talk about a long year.
Sunday, December 21, 2008
"Me and Bobby McGee" - Kris Kristofferson
Thereafter started an incredible performing career as a singer, songwriter and actor after he moved to Nashville initially as a janitor at the Columbia Records office in Nashville and caught the attention of Johnny Cash by landing a helicopter in his backyard. He had many hits as a songwriter and his songs were performed by many leading musicians. He won a Golden Globe as an actor in the film "A Star is Born" opposite Barbara Streisand.
For me, his great song "Me and Bobby McGee" will always remain his signature track. It has been made famous by several great performers like Johnny Cash and Janis Joplin (who dated Kristofferson until her death in 1970) but his own version below is my personal favorite. Listening to the line "Well I'd trade all my tomorrows for a single yesterday" still sends tingles down my spine. This line with its expression of an aching desire to relive the past even for a single day and the desperate longing to recover or perhaps redo what has already happened is a powefully tragic motif in art. The past, to me, is infinitely more fascinating than the future and nobody has better articulated my feelings on this than the great German writer W.G. Sebald. (If you have not read any Sebald I would highly recommend reading "The Emigrants"). Sebald said:
"It's that sensation, if you turn the opera glass around----Curiously, although its further removed, the image seems much more precise. It's like looking down a well shaft. Looking in the past has always given me that vertiginous sense. It's the desire, almost, or the temptation that you might throw yourself into it, as it were, over the parapets and down. There is something terribly alluring to me about the past. I'm hardly interested in the future. I don't think it will hold many good things. But at least about the past you can have certain illusions."Here's "Me and Bobby McGee":
Friday, November 28, 2008
The Mumbai Tragedy - A Perspective
The terrible terrorist tragedy is still unfolding in Mumbai with over a 140 dead and more than 300 injured. The attacks are despicable and should be unequivocally condemned by any sane person. However, the world (India, Pakistan, Afghanistan, UK, Spain, Middle East, Russia) has now been witness to an endless stream of these gruesome attacks. All pleas to attack this global problem not through the lens of a simplistic "war on terror" but instead at its political roots evokes a hostile response from national security establishments.Engaging complex global political problems and draining some of the world's worst infected political wounds is not "action-oriented" enough and does not satisfy the immediate justified rage of the affected populations. However, it is the only imperfect long term solution to isolate the dead-ender ideological terrorists who must be defeated by force from the far more numerous sympathizing recruits they find amongst people who feel that they are victims of prolonged injustice at the hands of powerful governments (others and their own as in many Muslim countries). In India, for example, since the Babri mosque incident in 1992 there have been a plethora of tragedies creating a communal tinderbox; the Mumbai serial blasts, Mumbai train bombings, Godhra, Gujarat riots, Hyderabad blasts, Akshardham attack, Samjhota Express attack, Delhi bombings, Malegaon not to mention the festering Kashmir problem with the recent flaring of the situation due to the Amarnath yatra land dispute. Whoever invokes tackling the political dimensions of the causes of terrorism is instantly accused of the specious "moral equivalency" argument. It has now been clear for years that a security strategy alone is simply not sufficient to deter any suicidal armed group from inflicting harrowing damage on soft targets. A global rethinking is required to fight terrorism smartly and to dramatically reduce the number of people susceptible to this siren call of nihilism and anarchy. These sentiments often sound to people as if they are soft-headed "can't we all just live together" pleas but a hard-headed and realistic strategy of political engagement must be pursued in addition to robust police, intelligence and military action to reduce the threat of terrorism and asymmetric violence.
Deepak Chopra (whose mystical mumbo jumbo I have little appetite for) was on CNN commenting on the Mumbai attacks and even though his thoughts are meandering and not fully coherent (in my view) he makes some valid points that are not represented much in the mainstream media.
Wednesday, November 19, 2008
Why Don't We Celebrate New Species?
I have previously linked to Olivia Judson's New York Times column called "The Wild Side". Her column is always illuminating and written with an infectious enthusiasm for the incredible variety of life on our planet. It is unfailingly lucid in explaining concepts in evolutionary biology in clear and concise prose. The column today is called "All Hail the Apple Maggot" and discusses a wonderful example of how a new species gets created from an existing one (including a great little primer on the definition of species). She also reflects on why we tend to more easily focus on lamenting extinction of species as opposed to celebrating the creation of new ones.The appearance of a new species is not so dramatic. The first members of a new species will typically be indistinguishable — to us — from the species they have evolved from. And while extinction has a clear final moment — the last member of a species dies — the formation of a new species does not usually happen in a single recognizable instant. Which is why we haven’t yet raised our glasses to celebrate, say, Rhagoletis pomonella, the apple maggot fly.
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The most common way to define a species is a group of individuals that breed with each other successfully. For example, dogs, despite their vastly different looks, can breed with each other, so they are are considered one species. Horses and donkeys are counted as different species because their offspring (mules and hinnies) are sterile. For individuals to be considered as belonging to separate species thus means that they are “reproductively isolated”: they can’t, won’t, or don’t breed with each other.---
I can sense your excitement. And perhaps that’s the real reason we don’t celebrate apple maggots, or any of the other new species (and there are many we know about) that are in the process of evolving. For when a new species does appear, it’s just not that different from the old species. To evolve the flamboyant differences that distinguish a swan from a duck, or a human from a chimpanzee — that takes thousands, even millions, of years.
That is what we lose with extinction.
Photograph: Rhagoletis pomonella, the apple maggot fly. (Wikimedia
Commons)
Saturday, November 08, 2008
Tufail Niazi – Pakistan’s Greatest Folk Singer
It was in my teens, almost 25 years ago, when I first heard Tufail Niazi singing "MeiN naiN jaaNa Kherian de naal" from Heer Waris Shah in that uniquely rustic and melodious but exceptionally virtuosic voice that has brought tears to my eyes many times over the years. Of all the wonderful music I grew up with (mostly because it was what my parents played in the house) this song by Tufail Niazi alongwith K.L Saigal’s “Ik raje ka beta le kar urne wala ghora” and Begum Akhtar’s “Chaa rahi kali ghata, jiya mora lehrae hai” have a special place in my imagination. (The youtube link above does not include it but Saigal's cackling laugh at the end of this recorded song on the LP is an enduring childhood memory). Every time I hear these pieces again they conjure up the same mesmerising effect they had on me when I first heard them huddled around my father's turntable or in later years, his various cassette players.Piecing together Tufail Niazi's biography, his marvellously syncretic Punjabi life struck me as unusual even in pre-1947 Punjab but his life story is no longer even possible. He was born in 1916 in the only Muslim family in the Sikh village of MadairaN in Jallandhar district. MadairaN was only a short distance from Sham Chaurasi, famous birthplace of the musical gharana of that name (Ustad Salamat Ali Khan, arguably Pakistan's finest classical vocalist, hailed from this gharana). Tufail's family and ancestors were "Pakhawajis". (Pakhawaj is a tabla-like percussion instrument traditionally used as accompaniment in Dhrupad singing, the much older and temple-rooted form of Hindustani classical vocal music than the newer, more popular Mughal-era creation Khayal.) Historically, some of his family members were "Rubabis" who sang Gurbanis (songs in praise of the gurus) in Gurdwaras. Tufail followed this family tradition and started singing Guru Nanak's bani at the Gurdwara in the village of Pumba near Amritsar where his maternal grandfather was employed as a rubabi. After three years in Pumba he lost interest and his father, Haji Raheem Buksh took him to a Gaushala (house of cow protection) in Gondwal near the town of Taran Taaran. Here he joined the Gaushala singing party that went from village to village to spread the message of cow protection. Imagining a traveling Muslim rubabi preaching, in song, the protection of the sacred cow in his mellifluous voice brings a smile to my face.
At the time of partition, like all East Punjabi Muslims, Tufail too had to move from his ancestral lands and he ended up in Multan. To survive in this new unknown place where he hardly knew anybody, he opened up a milk shop. It was fortuitous that in 1949 a police inspector who had known him in East Punjab and had been a fan saw him and, on learning that Tufail had abandoned his music because he had no instruments and no other way to make a living, intervened. He got him instruments from the state coffers and organized a mehfil for Tufail introducing him to the people in Multan. It is unbearable to imagine that Tufail Niazi's voice could have been lost forever were it not for the effort of an ordinary fan who saved him from potential obscurity. We owe that unknown police officer a deep debt of gratitude.
Tufail soon became well known in the cultural circles of Multan after which there was no looking back. He started singing for Radio Pakistan and had the honor to be the first singer who performed on Pakistan Television, the day of its inauguration on November 26th, 1964. He sang his famous song "Laai beqadaraN naal yaari te tut gai tarak kar ke" that day. It was at that time that PTV's senior producer Aslam Azhar gave him the name Tufail Niazi because Tufail had told him that his pir was Hazrat Pir Niaz Ali Shah. Before this he had been just Tufail, Master Tufail, Mian Tufail and lastly Tufail Multani. Later, under Uxi Mufti he worked with great dedication to help set up and sustain the National Institute of Folk Heritage (Lok Virsa) in Islamabad. He received the Presidential Pride of Performance Award in 1983 and died on September 21st, 1990. A stroke had left him debilitated and unable to perform and he died in poverty with a wounded sense of official and unofficial neglect which has been the lot of so many Pakistani artists. He is buried in the graveyard in Islamabad.
Here is a performance of "Laai beqadaraN naal yaari te tut gai tarak kar ke" from PTV:
Tufail Niazi was a folk musician deeply influenced by classical forms and it is the mastery of his classically trained vocals combined with a soulfully melodic voice that mesmerized his audiences. The wonderful Punjabi sufi storytelling of his repertoire as he stood singing energetically in his lacha and a silk kurta created the total effect of a performer who was involved in something that was inseparable from the rest of his existence. His singing is often intensely moving as he sings about episodes in the lives of Punjabi epic lovers most notably Heer Ranjha (this is a link to an excellent post on this Punjabi folk masterpiece on Pakistaniat) richly evoking their anguish set in a beautifully sketched Punjabi rural social milieu.
Many of my favorite songs by Tufail Niazi are rooted deeply in classical music. I can listen to them over and over again and they possess the power to stir the most potent emotions. Here at APNA's site are some great Tufail Niazi songs for which I cannot find youtube videos. Two of my favorites (in addition to "MeiN naiN jaaNa Kherian de naal") that never fail to move me are "MeiN vi jaaNa jhok Ranjhan di" and "We tooN neRe neRe was we dholan yaar" (in Raga Tilak Kamod). In addition, I love a tappa-like song in Raga Khamaj called "Jhuk RaiyyaN meiN to" which I have been unable to find on the internet.
Remarkably and sadly, I was not able to find any decent photograph of Tufail Niazi on the internet to include in this post. To end this piece, here is a youtube audio of the above mentioned "MeiN naiN jaaNa Kherian de naal" which is inspired by Raga Bilawal.
Credits: This post owes several biographical and other details to the book “Tufail Niazi”, compiled and edited by S.M Shahid as a tribute to this great performer. In addition to informative pieces in Urdu (Mumtaz Mufti, Chanan Gobindpuri, Bakhtiar Ahmad, Akhtar Imam Rizvi, Shahbaz Ali) and English (S.M Shahid, Sarwat Ali, Mushahid Hussain, Saeed Malik), the book comes with 2 excellent CDs of Tufail Niazi’s unforgettable folk songs.
Tuesday, November 04, 2008
Obama is the 44th President of the United States
Update: Bob Herbert in the New York Times comes closest to my feelings post-election so here they are even though I must say that I am already in the mode of anticipation of evaluating Obama's Presidency based on its actions. There has never been this much hope and promise but his approach in the first six months, more than anything else, will help me understand better if the tenor and the ultimate outcome of this Presidency will be noticably different from those in history.
Arthur Miller liked to say that the essence of America was its promise. In the darkest of the dark times, in wartime and drastic economic downturns, in the crucible of witch hunts or racial strife, in the traumatic aftermath of a terror attack, that promise lights the way forward.
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We still have two wars to deal with and an economic crisis as severe as any in decades. But we should take a moment to recognize the stunning significance of this moment in history. It’s worth a smile, a toast, a sigh, a tear.
Monday, November 03, 2008
Waiting for History!
“And I swore I’d be in Chicago tomorrow, and made sure of that, taking a bus to Chicago, spending most of my money, and didn’t give a damn, just as long as I’d be in Chicago tomorrow.”– Jack Kerouac, “On the Road”(Hat Tip for the quote: Sean Quinn at fivethirtyeight.com)
Christopher Hitchens Debates Religion with Rabbi Wolpe
In one of the world's largest synagogues, Temple Emanu-El in New York City, Christopher Hitchens today debated Rabbi Wolpe on whether "religion is good for the world".But there is no question that he posseses an extremely sharp intellect, a rare articulate eloquence and an impressive command of language. He is a voracious and remarkably intelligent reader of catholic (no pun intended) taste and is an enviably prolific writer. For some of his best, most thoughtful long pieces I would suggest reading his contributions in the "Atlantic Monthly" archived here. Much to my disappointment over the years he has displayed an unsympathetic view of Pakistan and seems to have a visceral dislike for the country (probably in no small part due to its religion-based founding ideology). Even so, his March 2003 piece in these archives called "The Perils of Partition" is well worth reading. Just glancing at these pieces gives you a sense of his incredible critical range.
Now let's come back to his debate with Rabbi Wolpe today. Here is a summary of the debate in the New York Times. My sense from the reported exchange is that Hitchens comes out on top and that Rabbi Wolpe could not quite match the intellectual firepower and verbal nimbleness of Hitchens. Let me know via your comments if you think otherwise.
Christopher Hitchens:
It attacks us in our deepest integrity, in the core of our self-respect. Religion says that we would not know right from wrong, we would not know an evil, wicked act from a decent human act without divine permission, without divine authority or without, even worse, either the fear of a divine punishment or the hope of a divine reward. It strips us of the right to make our own determination, as all humans always have, about what is and what is not a right human action.Rabbi Wolpe:
If you read the beginning of the Bible, which I strongly advise, you will find that Cain is condemned for killing Abel. Now why is he condemned, if the Bible doesn’t assume that you don’t learn that murder is bad until you get to Sinai? After all, Cain is long before Sinai. Of course, the Bible knows that human beings recognize that murder is bad. But the Bible also knows that they do it anyway, and that without a divine sanction against murder, people will think that it is a humanly invented sanction. And if they will violate it even when it’s God’s dictate how much more will it prove to be … a fragile rule when it’s the rule of human beings?And so at Sinai, what you get is not a series of moral rules that you couldn’t have imagined for yourself — ‘Oh, I thought it was fine to kill before I got there’ — but the knowledge that it is built into the moral structure of the universe. It’s not a personal preference. It’s not a societal rule. It’s a mandate from God to all human beings. And if you think that mandate doesn’t matter, all I can say is you haven’t paid much attention to the 20th century.
Sunday, October 26, 2008
Obama's Unprecedented Crowds
Monday, October 13, 2008
Krugman Wins the Economics Nobel
It was announced today that Paul Krugman, Princeton professor and a New York Times op ed columnist won the 2008 Economics Nobel Prize for his work on international trade. Harvard economist Edward Glaeser explains in this piece why Krugman was honored. As an undergraduate Economics major who was headed to a PhD program before getting diverted to investment banking years ago, I have followed Krugman's career admiringly for at least 15 years. In my "International Economics" class with Professor Noel Farley at Bryn Mawr we used Krugman/Obstfeld which is the standard textbook on the subject.Saturday, October 11, 2008
Sequoia Capital Meeting - Economic Downturn & Startups
You can find the slideshow presentation here .
Thursday, October 09, 2008
Running with Jerry - Jerry Rice that is!
I live a few miles from Stanford University's campus. Often I use Stanford's track for my leisurely evening 5K runs. Sometimes I take my kids with me who like to play on the infield or on the bleachers around the track. Yesterday as I started my run I ran past a lanky, athletic figure stretching on the running strip. I noticed that it was none other than the legendary Jerry Rice. A few minutes later Rice ran past me but he seemed to be merely limbering and warming up and not involved in any rigorous workout. He stayed on the track for another 20 or so minutes and it gave me a great thrill to be running in the same lanes with the "niner" whose enshrinement in football's hall of fame in another three years (when he becomes eligible for induction) is a mere formality.
Sunday, October 05, 2008
Anton Chekhov in "Gooseberries"
"There ought to be behind the door of every happy, contented man some one standing with a hammer continually reminding him with a tap that there are unhappy people; that however happy he may be, life will show him her laws sooner or later, trouble will come for him - disease, poverty, losses, and no one will see or hear, just as now he neither sees nor hears others.""The Lonesome Death of Hattie Carroll" - Bob Dylan
On February 9th 1963, a 51 year old black barmaid named Hattie Carroll was murdered at the Emerson Hotel in Baltimore, Maryland by Billy Zantzinger, a young wealthy white tobacco farmer from Charles County. Billy had used a cane to assault Hattie who died 8 hours after the assault possibly from a brain hemorrhage. Billy was eventually found guilty of manslaughter (not murder) and sentenced to 6 months in jail.It was in the backdrop of this deep injustice that Bob Dylan wrote "The Lonesome Death of Hattie Carroll", considered one of his best songs in a repertory consisting of countless brilliant ones. It was released as part of the 1964 album, "The Times They Are A-Changin". This song is widely admired by critics and Christopher Ricks, the Boston University Professor of Humanities, devotes an entire chapter in his book "Dylan's Vision of Sin" to this song in his chapter on Justice. In an interview on NPR, Ricks described the song as "perfect".
Here's the best version that I found on YouTube:
Below are the complete lyrics of this song. Listen to the song while reading the lyrics and a chill runs down your spine. Also, notice the brilliant repetition of "now ain't the time for your tears" until the very end. Throughout the song, the heartrending images of Hattie's difficult life and the murder itself arouse deep moral indignation but also a simultaneous will to fight for justice. It is only at the end when the struggle for justice for Hattie Carroll is lost that it is "time for your tears".
"The Lonesome Death of Hattie Carroll"
William Zanzinger killed poor Hattie Carroll
With a cane that he twirled around his diamond ring finger
At a Baltimore hotel society gath'rin'
And the cops were called in and his weapon took from him
As they rode him in custody down to the station
And booked William Zanzinger for first-degree murder
And you who philosophize disgrace and criticize all fears
Take the rag away from your face
Now ain't the time for your tears.
William Zanzinger who at twenty-four years
Owns a tobacco farm of six hundred acres
With rich wealthy parents who provide and protect him
And high office relations in the government of Maryland
Reacted to his deed with a shrug of his shoulders
And swear words and sneering and his tongue it was snarling
In a matter of minutes on bail was out walking
And you who philosophize disgrace and criticize all fears
Take the rag away from your face
Now ain't the time for your tears.
Hattie Carroll was a maid in the kitchen
She was fifty-one years old and gave birth to ten children
Who carried the dishes and hauled out the garbage
And never sat once at the head of the table
And didn't even speak to the people at the table
Who just cleaned up all the food from the table
And emptied the ashtrays on a whole other level
Got killed by a blow, lay slain by a cane
That sailed through the air and came down through the room
Doomed and determined to destroy all the gentle
And she never done nothing to William Zanzinger
And you who philosophize disgrace and criticize all fears
Take the rag away from your face
Now ain't the time for your tears.
In the courtroom of honor, the judge pounded his gavel
To show that all's equal and that the courts are on the level
And that the strings in the books ain't pulled and persuaded
And that even the nobles get properly handled
Once that the cops have chased after and caught 'em
And that ladder of law has no top and no bottom
Stared at the person who killed for no reason
Who just happened to be feelin' that way without warnin'
And he spoke through his cloak, most deep and distinguished
And handed out strongly, for penalty and repentance
William Zanzinger with a six-month sentence
And you who philosophize disgrace and criticize all fears
Bury the rag most deep in your face
For now's the time for your tears.
Saturday, September 13, 2008
"Come In" by Robert Frost
Robert Frost (1874-1963) is perhaps America's best loved poet. In popular perception he is the poet of the countryside and his poetry is indeed full of serene, bucolic imagery of strolls in woods, singing birds and majestic night skies. I too, long enjoyed Frost as a quintessential "nature" poet who evoked in me all the charm and beauty of the timeless New England landscape.But that was until Joseph Brodsky opened my eyes to a completely different Frost, one who Brodsky quotes Lionel Trilling describe as a "terrifying poet". Joseph Brodsky was a Russian poet and essayist who won the Nobel Prize for Literature in 1987. I have mentioned his collection of critical essays titled "On Grief and Reason" in a post before. The title essay is a discussion of two of Frost's well-known poems,"Come In" and "Home Burial". In this essay Brodsky persuasively shows Frost's remarkably dark vision and his contention that "nature for this poet is neither friend nor foe, nor is it the backdrop for human drama; it is this poet's terrifying self-portrait." I wish I could link to the entire essay as it is the best piece on Frost I have ever read but unfortunately it does not seem to be available on the web. I would encourage all those interested in Frost or poetry to find a printed copy of Brodsky's essay. It is well worth a read.
Here is the poem, "Come In", which appeared in the 1942 collection "A Witness Tree":
"Come In"
As I came to the edge of the woods,
Thrush music -- hark!
Now if it was dusk outside,
Inside it was dark.
Too dark in the woods for a bird
By sleight of wing
To better its perch for the night,
Though it still could sing.
The last of the light of the sun
That had died in the west
Still lived for one song more
In a thrush's breast.
Far in the pillared dark
Thrush music went --
Almost like a call to come in
To the dark and lament.
But no, I was out for stars;
I would not come in.
I meant not even if asked;
And I hadn't been.
And here are some fragments of commentary by Brodsky about this poem:
When a twentieth century poet starts a poem with finding himself at the edge of the woods there is a reasonable element of danger -or, at least a faint suggestion of it. The edge, in its very self, is sufficiently sharp.
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In "Too dark in the woods for a bird," a bird, alias bard, scrutinizes "the woods" and finds them too dark. "Too" here echoes-no! harks back to - Dante's opening lines in The Divine Comedy: our bird/bard's assessment of that selva differs from the great Italian's. To put it plainly, the afterlife is darker for Frost than it is for Dante. The question is why, and the answer is either because he disbelieves in the whole thing or because his notion of himself makes him, in his mind, slated for damnation.
---
Still, should you choose to read "Come In" as a nature poem, you are perfectly welcome to it. I suggest, though, that you take a longer look at the title. The twenty lines of the poem constitute, as it were, the title's translation. And in this translation, I am afraid, the expression "come in" means "die".
Friday, September 05, 2008
Relentless Republican Hypocrisy Gets the Jon Stewart Treatment
Monday, September 01, 2008
Ahmed Faraz Dies in Islamabad
On August 25th, the celebrated Urdu poet Ahmed Faraz died in Islamabad at age 77 after a protracted illness. In Faraz Sahib not only have we lost an excellent ghazal poet but a courageous and honorable man whose consistent stance against Pakistani dictatorships will never be forgotten. He opposed military rule whether it came in the guise of a ruthless Islamist like Zia-ul-Haq or a self proclaimed "moderate" like Musharraf. To his credit he saw through veneers and opposed authoritarianism which has been the scourge of the Pakistani state since independence. As a poet he has long been acknowledged as one of the masters of modern Urdu ghazal but his return of the Hilal-e-Imtiaz in 2006 (Pakistan's highest civilian honor) as a protest against Musharraf's authoritarian rule once again demonstrated his lifelong commitment to the primacy of human rights and dignity.Rest in peace Faraz Sahib.
Ranjish hi sahi dil hi dukhaane ke liye aa
Aa phir se mujhe chor ke jaane ke liye aa
Ik umr se hooN lazzat-e-girya se bhi mehroom
Aye rahat-e-jaaN mujh ko rulaane ke liye aa
Dawn had an obituary on Faraz Sahib the day after his death written by Mushir Anwar which sadly lifted several passages directly from Wikipedia (hat tip: Abbas Raza). However, today's New York Times also has an obituary by Haresh Pandya which despite some elemantary errors does a good job of suveying Faraz Sahib's life (e.g. Urdu poets whose work is both read and sung are not rare). I can always count on 3quarksdaily and the Raza family for wonderfully original content on Urdu literati. Today, there is a simple but lovely remembrance by Atiya Batool Khan on Faraz Sahib. (Azra Raza's appreciation of Qurratulain Hyder that appeared on 3QD in August last year is one of the best personal pieces written about Aini Apa in English that I can find.)
To remember Faraz Sahib what better way than to listen to the above mentioned "Ranjish hi sahi" beautifully sung by the inimitable Mehdi Hasan Sahib, the virtual creator of modern semi-classical ghazal singing.
Saturday, August 30, 2008
The Police Reunion Tour - Shoreline Amphitheater Concert
Starting on the 28th of May 2007, "The Police" embarked on a year and a half reunion tour (this wikipedia link has a listing of all the shows and the set lists) to mark the 30th anniversary of their beginning. The tour ended with a concert in New York's Madison Square Garden on August 7th, 2008.This is the nostalgia-inducing music of our younger days so for our 12th wedding anniversary, my wife bought tickets for us to go see the show on July 14th of this year. The concert we attended was at the Shoreline Amphitheater in Mountain View, California about 15 minutes from where we live. It is a nice outdoor venue surrounded by the San Francisco Bay on one side and the sprawling Google campus on the other. The theater has seats in the front close to the stage but most ticket holders find space on the grassy hill behind the seats where they find room for their own chairs and blankets and picnic in the nice California evening for a few hours before the performance.
Elvis Costello and the Imposters opened for the band and were heartily cheered by the 12,000 strong crowd but the venue erupted when Sting (in a beard), Stewart Copeland (drummer) and Andy Summers (guitarist) strolled on to the stage. I suspect that in Sting's older bearded visage many in that audience saw a reflection of their own aging. The performance was excellent and Sting's voice was strong and energetic. The reviews I saw later in the regional press compared this show very favorably to the earlier concert on this tour they had played in East Bay.
I also found a nice YouTube clip that has spliced together the sights and sounds from that July 14th concert in Mountain View:
Sunday, August 03, 2008
The Tragedy on K-2

Before his death, 61-year-old Frenchman Hugues d'Aubarede gave an account of the climb -with freezing temperatures, bad weather and beautiful vistas - via a blog. On the eve of his death, his last message from the foot of The Bottleneck was: "I would love it if everyone could contemplate this ocean of mountains and glaciers. They put me through the wringer, but it's so beautiful. The night will be long but beautiful."Update II: Today on August 6th, New York Times has a story titled "Tragic Toll After Chaos on Mountain" summing up what is now known about how the tragedy unfolded.
K2 is known as the world’s hardest and most dangerous mountain for climbers, more challenging even than Everest. Farther north and 1,500 miles from Everest, it collects heavy snow and storms, and climbers have only a few days each year when they can try for the peak, usually in early August. “For a professional, seasoned mountaineer it’s more of the holy grail than Everest,” said the veteran American climber Ed Viesturs. “There is no easy way to climb K2.”
In a message sent back to friends, three South Koreans from the Flying Jump K2 Expedition expressed their awe about “the mountain of the mountains” and “the mountain that invites death.”
Saturday, August 02, 2008
The Wait for the Beijing Olympics
And then there is the 110m hurdles! 110m hurdles this year will likely be the most anticipated event pitting the Chinese phenomenon and Athens gold medal winner Liu Xiang against the awesome Cuban, Dayron Robles, who recently broke Liu's 110m hurdle world record. Robles has the potential to single-handedly to dash the hopes of 1.3 billion people who will be cheering for Liu with all their hearts. The Liu Xiang phenomenon in China is indeed amazing and he stands at the center of China's hopes for this Olympics. The New York Times has a special "Play Magazine" out this Sunday which has some very interesting stories on Olympic athletes. There is a piece on Liu titled "The State Requests That Citizen Liu Win Gold" that provides a window into the special place of Liu Xiang in China's government built sports machine.
In swimming, the eyes of the world will be focused on Michael Phelps. Will he manage to get the eight Olympic golds this year and pass Mark Spitz who since 1972 has held that record when he won seven golds in Munich? The same issue of Play Magazine mentioned above has a story called "Out There" which deconstructs Phelps swimming technique in trying to explain his magic. Our family is certainly rooting for Phelps, particularly my four year old who only a few weeks ago matter of factly informed his swim camp director that he is going to be Michael Phelps.Sunday, June 29, 2008
Joseph O'Neill's "Brooklyn Dream Game"
"Netherland": A Novel by Joseph O'NeillGlancing through the May 26th issue of the New Yorker I came across James Wood's book review titled "Beyond a Boundary". What caught my attention was the accompanying photograph of men in white playing cricket under a bright blue sky with this tantalizing caption: "In Joseph O'Neill's "Netherland" cricket is at once an immigrant's imagined community, an emblem of foreignness, and, most poignantly, a dream of America." Intrigued, I quickly read Wood's review and felt an instant urge to head to a bookstore. Within days I had finished the novel and found that Wood's effusive characterization of the novel as "a large fictional achievement, and one of the most remarkable post-colonial books I have ever read" was indeed deserved.
James Wood is an English critic and has been a staff writer at The New Yorker since August 2007. It is hard to improve on Wood's excellent review of the novel which I would urge you to read (link above). It is easy to understand why he has been called "the best literary critic of his generation" and earned plaudits from even the most curmudgeonly of literary critics like Harold Bloom. Recently Wood has published a new work of criticism called "How Fiction Works" and two recent reviews by Delia Falconer in The Australian and Gideon Lewis-Kraus in the LA Times intelligently discuss Wood's influence and approach to criticism.
Right around the time Wood's review of "Netherland"was published there was a veritable flood of laudatory reviews and O'Neill profiles. New York Times had three different pieces within 3 days including a review by Michiko Kakutani, a Dwight Garner review in the Sunday Times Book Review and a profile of the author and the Staten Island Cricket Club where Joseph O'Neill plays his cricket. The Sunday Observer had back to back pieces by Will Buckley and Peter Beaumont and not to be left behind, Cricinfo Magazine published Andrew Miller's interview with the author. To top it all off, "Netherland" was just included on the longlist for this year's Man Booker prize and is favored to win by William Hill (a British bookmaker) with 7/2 odds. It is remarkable that fiction by a relatively little known author has received this kind of lavish attention but "Netherland" richly deserves it.

Instead of feebly reviewing a book that Wood has discussed with such flair let me talk instead of my quest to try to meet the author. I was so moved by the book and felt such a kinship with the narrator, Hans, that I wished I could meet the author and discuss the book with him. On searching the web to see if O'Neill was doing a book tour that would bring him to the San Francisco Bay Area I discovered that he was scheduled to be in Northern California just for one day on Tuesday, June 24th for two readings at bookstores almost an hour and half drive from where I live. One of the readings was scheduled at 5pm at the Orinda Bookstore in Orinda, CA not far from Berkeley. This was the closer of the two bookstores and never having heard of Orinda I carefully mapped out the directions and left work early on the 24th to meet O'Neill and to listen to him talk about his novel.
Saturday, June 28, 2008
Annals of Medicine - Atul Gawande
Atul Gawande is a Boston-based surgeon at the Brigham and Women's hospital and a staff writer for The New Yorker magazine. His excellent essays on the practice of medicine have appeared in the magazine for several years and they have been the basis of his two published collections titled "Complications: A Surgeon's Notes on an Imperfect Science" and "Better: A Surgeon's Notes on Performance".Gawande's penchant for meticulous scientific examination of his own professon yields many useful insights (even for non-practitioners) and provides laypeople an unusually clear view of the "imperfect science" of diagnosis and cure and the human element that often makes it so. Gawande's writing is precise and uncluttered and he manages to explain complex topics with an admirable clarity of thought in very readable prose.
Gawande is one of the more recent in a line of accomplished physicians who have written insightfully about their vocation and provided a much needed empathetic transparency into the seemingly impersonal workings of the American system of sickness and health. Dr. Jerome Groopman, Oliver Sacks and Sherwin Nuland particularly come to mind as I think of doctors who have contributed tremendously to American medicine and letters. (Even outside of his writings on medicine, Nuland's memoir, "Lost in America" is one of my all-time favorites with an exceptionally touching portrait of a father-son relationship).
This week Gawande has an essay in the New Yorker titled "The Itch". In this piece he investigates this poorly understood sensation, its scientific source and its function. In explaining the biological provenance of uncontrollable itching, Gawande surveys the current scientific understanding of "Perception" and this is a fascinating part of the essay.
Here are some excerpts:
Our assumption had been that the sensory data we receive from our eyes, ears, nose, fingers, and so on contain all the information that we need for perception, and that perception must work something like a radio. It’s hard to conceive that a Boston Symphony Orchestra concert is in a radio wave. But it is. So you might think that it’sthe same with the signals we receive—that if you hooked up someone’s nerves to a monitor you could watch what the person is experiencing as if it were a television show.Update: In today's New York Times (July 4th, 2008) Dr. Atul Gawande answers questions about "The Itch"that some readers had after reading the original article.
Yet, as scientists set about analyzing the signals, they found them to be radically impoverished. Suppose someone is viewing a tree in a clearing. Given simply the transmissions along the optic nerve from the light entering the eye, one would not be able to reconstruct the three-dimensionality, or the distance, or the detail of thebark—attributes that we perceive instantly.
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The images in our mind are extraordinarily rich. We can tell if something is liquid or solid, heavy or light, dead or alive. But the information we work from is poor—a distorted, two-dimensional transmission with entire spots missing. So the mind fills in most of the picture. You can get a sense of this from brain-anatomy studies. If visual sensations were primarily received rather than constructed by the brain, you’d expect that most of the fibres going to the brain’s primary visual cortex would come from the retina. Instead, scientists have found that only twenty per cent do; eighty per cent come downward from regions of the brain governing functions like memory. Richard Gregory, a prominent British neuropsychologist, estimates that visual perception is more than ninety per cent memory and less than ten per cent sensory nerve signals.
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The account of perception that’s starting to emerge is what we might call the “brain’s best guess” theory of perception: perception is the brain’s best guess about what is happening in the outside world. The mind integrates scattered, weak, rudimentary signals from a variety of sensory channels, information from past experiences, and hard-wired processes, and produces a sensory experience full of brain-provided color, sound, texture, and meaning. We see a friendly yellow Labrador bounding behind a picket fence not because that is the transmission we receive but because this is the perception our weaver-brain assembles as its best hypothesis of what is
out there from the slivers of information we get. Perception is inference.
Tuesday, June 24, 2008
George Carlin is Dead (not lost, not passed away, dead)
Carlin was a unique talent who used wonderfully precise language for his acerbic social commentary. His merciless skewering of national shibboleths, political correctness and the modern American proclivity for euphemism-laced conversations was refreshing in a landscape of false pieties and a world of "manufactured consent".
Here's a piece by Carlin on "War' from the early 90's: (Hat Tip: 3QD)
Warning: Carlin is not for the squeamish and the faint of heart. This is very strong language.
Wednesday, June 18, 2008
"California" - Joni Mitchell
Still a lot of lands to see
But I wouldn't want to stay here
Its too old and cold and settled in its ways here
Oh, but California
California I'm coming home
Here's Joni performing "California":
Darwinmania!
Olivia Judson is an evolutionary biologist at Imperial College London and writes an entertaining and informative online column called "The Wild Side" in the New York Times. Being a fan of all things Darwin I particularly enjoyed her column today titled "Darwinmania" that kicks off a 18 month celebration of Darwin and his ideas on July 1st, 2008 (150th anniversary of the announcement of his discovery of natural selection) leading into February 2009 (200th anniversary of Darwin's birth) and culminating in November 2009 (150th anniversary of the publication of the "Origin of Species").Today's column also summarizes some of the well known history of the "origins" of explaining evolution and natural selection, arguably the most revolutionary scientific idea in human history. No matter how many times one reads the fascinating story of Wallace and Darwin competing to be "first to market" with this groundbreaking discovery, one can't help but reflect on the true nature of most scientific thought as a systematic and painstaking effort built on accumulated knowledge rather than "eureka" moments of isolated genius.
And the “Origin” changed everything. Before the “Origin,” the diversity of life could only be catalogued and described; afterwards, it could be explained and understood. Before the “Origin,” species were generally seen as fixed entities, the special creations of a deity; afterwards, they became connected together on a great family tree that stretches back, across billions of years, to the dawn of life. Perhaps most importantly, the “Origin” changed our view of ourselves. It made us as much a part of nature as hummingbirds and bumblebees (or humble-bees, as Darwin called them); we, too, acquired a family tree with a host of remarkable and distinguished ancestors.
The reason the “Origin” was so powerful, compelling and persuasive, the reason Darwin succeeded while his predecessors failed, is that in it he does not just describe how evolution by natural selection works. He presents an enormous body of evidence culled from every field of biology then known. He discusses subjects as diverse as pigeon breeding in Ancient Egypt, the rudimentary eyes of cave fish, the nest-building instincts of honeybees, the evolving size of gooseberries (they’ve been getting bigger), wingless beetles on the island of Madeira and algae in New Zealand. One moment, he’s considering fossil animals like brachiopods (which had hinged shells like clams, but with a different axis of symmetry); the next, he’s discussing the accessibility of nectar in clover flowers to different species of bee.
So, the difficulties notwithstanding, there are many reasons to tackle the “Origin.” Reasons above and beyond the fact that it is one of the most important books ever written, and central to our culture. But to me, perhaps the most important is that reading the “Origin” is a window into a mind. A rich and fertile mind, with a holistic view of nature. One that sees the interconnectedness of living beings — that cats can alter the number of flowers — long before ecology existed as a formal subject. A mind that sees the brutality of the natural world — the wasps that lay their eggs in the living bodies of caterpillars (the caterpillars are then eaten alive by the growing larvae), the stupendous death rates of most creatures — and sees that from the terrible slaughter, great beauty can arise:
"Thus, from the war of nature, from famine and death, the most exalted object of which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved."
Sunday, June 15, 2008
Obama's Father's Day Speech
Here's the speech:
Sunday, June 01, 2008
Meeting Fareed Zakaria
On Tuesday May 27th, The Commonwealth Club of California's guest speaker was Fareed Zakaria, speaking to the audience about his new book "The Post-American World". The event was held at the Fairmont Hotel in San Francisco and those who live in Northern California know that the Club's events are later broadcast on National Public Radio's KQED station. I had been invited to the talk by a family friend who had an extra ticket and I was curious enough about Zakaria and his new work to be eager to attend in person.I have found Zakaria's comments on George Stephanopoulos's Sunday morning show to be frequently insightful even if a bit timid in straying from the mainstream foreign policy establishment. He seems to have a genuinely global understanding of US foreign policy challenges but sometimes seems to strain to keep his views in check to avoid being tagged as an "international" intellectual instead of an Amercian one. (I sympathize with this natural propensity of an immigrant to seek whole hearted acceptance of a host country's elite). Also, I was impressed by his 2003 book "The Future of Freedom" in which he argues that constitutional liberalism must precede electoral democracy and that nations lacking a rule of law will inevitably end up as illiberal democracies. This squares with my own long held belief that durable democratic regimes can only be built on a constitutional rule of law and convinces me even more that the lawyer's movement in Pakistan demonstrated powerfully the country's potential to be a functioning democracy.
The main theme of "The Post-American World" (contrary to the title) is not a simplistic view of imperial America's decline. It is not another in a line of now forgotten tomes from the 80's about the Asian takeover of America (with China & India now substituted for 80's Japan). Instead Zakaria argues that the story of the 21st century is the "rise of the rest" even as America maintains significant advantages in competing with these new powers for wealth and influence. His advice to Amercan governments and people seems to be to embrace and learn to adapt and thrive in this new world rather than resist it and vainly hope for the preservation of a vanishing status quo. Zakaria's talk on his new book was an overview of this thesis peppered with anecdotes illustrating his views. He is an engaging speaker and entertained the audience with his suave wit.
After the talk there was a book signing and a long line formed in front of the podium so people could get their books personalized. After approaching him I told him how often I get asked if I am related to him (which I am not) because of our shared last name. He was very gracious and remarkably down to earth and made small talk (some of it in Urdu) for a couple of minutes showing curiosity about my vocation and the Pakistani background. He said "Khuda Hafiz" and as I walked away looking at the personalized signature in the book I was pleasantly surprised to see that below his signature he had added the inscription, "P.S. We're practically related".
Saturday, May 24, 2008
From "Sohrab and Rustum" by Matthew Arnold
The story of Rustum and Sohrab is a beloved legend from Zoroastrian mythology popularized by the 11th century Persian poet Abolqasem Ferdowsi in his great epic Shahnameh. Growing up I read many of Shahnameh's stories written for children in Urdu. The names and adventures of the noble Persian kings, their Turani enemies and sundry heroic warriors made an indelible impression and even to this day the names of Afrasiab, Kai Qobad, Rustum, Sohrab and Jamshed resonate in my memory."Sohrab and Rustum" is a poem by the 19th century English poet and famous literary critic Matthew Arnold (1822-1888). It was written in 1853. I am currently reading "The Portable Matthew Arnold" edited by Lionel Trilling and below is Trilling's own outline of the epic story of Rustum and Sohrab followed by an excerpt from the poem. The poem is too long to reproduce in its entirety but the famous passages excerpted below are from the end of the poem. Most of the place names are locations in the valley of the River Oxus (now called Amu Darya), a Central Asian river which passes through Tajikistan, Afghanistan, Turkmenistan and Uzbekistan before emptying into the Aral Sea.
"Rustum is the Persian epic hero; Sohrab is his son by a princess whom he had loved in early youth. Sohrab knows the identity of his father and longs to find him, but Rustum does not even know that he has a son. When they meet in single combat between the Persian and the Tartar armies, Rustum as the champion of the former, Sohrab as the champion of the latter, Rustum fights under an assumed name. Yet Sohrab suspects that his antagonist is the great Rustum and begs him to say so; Rustum for his part is drawn to the the youth and urges him to retire from an unequal contest. But Sohrab will not withdraw and Rustum will not disclose his identity. They fight, and at the climax of the combat Rustum cries aloud his name to terrify his enemy; Sohrab, not terrified but astonished, lowers his shield and is exposed to Rustum's spear, which pierces his side. Dying, he threatens the revenge his father Rustum will take. When Rustum denies that he ever had a son, Sohrab shows the family insignia of Rustum pricked on his arm. The proof is indisputable and the father and son at last know each other. In his grief and despair Rustum wishes for his own death." - Lionel Trilling
From "Rustum and Sohrab"
So, on the bloody sand, Sohrab lay dead;
And the great Rustum drew his horseman's cloak
Down o'er his face, and sate by his dead son.
As those black granite pillars, once high-reared
By Jemshid in Persepolis,to bear
His house, now 'mid their broken flights of steps
Lie prone, enormous, down the mountain side —
So in the sand lay Rustum by his son.
And night came down over the solemn waste,
And the two gazing hosts, and that sole pair,
And darkened all; and a cold fog, with night,
Crept from the Oxus. Soon a hum arose,
As of a great assembly loosed, and fires
Began to twinkle through the fog; for now
Both armies moved to camp, and took their meal:
The Persians took it on the open sands
Southward; the Tartars by the river marge:
And Rustum and his son were left alone.
But the majestic River floated on,
Out of the mist and hum of that low land,
Into the frosty starlight, and there moved,
Rejoicing, through the hushed Chorasmian waste,
Under the solitary moon: — he flowed
Right for the polar star, past Orgunjè,
Brimming, and bright, and large: then sands begin
To hem his watery march, and dam his streams,
And split his currents; that for many a league
The shorn and parcelled Oxus strains along
Through beds of sand and matted rushy isles —
Oxus, forgetting the bright speed he had
In his high mountain-cradle in Pamere,
A foiled circuitous wanderer: — till at last
The longed-for dash of waves is heard, and wide
His luminous home of waters opens, bright
And tranquil, from whose floor the new-bathed stars
Emerge, and shine upon the Aral Sea.
You can read the full text of the poem here. The image is a sculpture of Ferdowsi by the Iranian sculptor Ustad Abolhassan Khan Sadighi known as Master Sadighi (1894-1995)
Friday, May 23, 2008
The Real John McCain
The following video titled The Real McCain 2 launched this past Sunday has been viewed by over 1 million people. It has been the #1 most viewed video on YouTube, #1 on the viral video chart, and the #2 story on the Digg Election 2008 page. This is an audience size that is significantly larger than most of the cable news shows.
Saturday, April 19, 2008
Dalrymple on "The Arts of Kashmir"
William Dalrymple has a good essay in this issue of the NYRB on Asia Society's exhibition catalog by Pratapaditya Pal on "The Arts of Kashmir".The exhibition catalog and Dalrymple's essay serves to remind the audience of the historic cultural vitality of Kashmir with its rich Hindu, Buddhist and Muslim past. I particularly enjoyed reading about the early Kashmiri Muslim ruler Zain-ul-Abidin "Budshah" (1420-1470) who was renowned for his artistic patronage and whose 50 year reign is still remembered fondly by Kashmiris despite the passage of 500 years:
Fluent in Kashmiri, his native tongue, and Persian, Sanskrit, and Tibetan, he was a great patron of the arts and architecture, of literature and music, and in the conservation and preservation of Kashmir's heritage, irrespective of his religious affiliation.... Indeed, the only other Muslim ruler on the subcontinent who can be compared to Zain-ul-Abidin for his liberality, his intellectual curiosity, his love of learning as well as music, and for introducing and nourishing a wide range of crafts and arts and architecture is the Mughal emperor Akbar (1556–1605).
Lessons of the Twentieth Century - Tony Judt
Tony Judt is a British Jewish historian specializing in European history. He is currently a professor at New York University and his most recent book was the critically acclaimed history of Europe since 1945 titled "Postwar". Not surprisingly for a historian interested in twentieth century Europe, Judt has reflected deeply and insightfully on war, genocide, occupation, empire and displacement of populations. He regularly writes for the New York Review of Books where many of his past essays are archived here.It is always difficult to provide excerpts that would do justice to a well-argued, tight knit essay but here are some passages:
War, in short, prompted behavior that would have been unthinkable as well as dysfunctional in peacetime. It is war, not racism or ethnic antagonism or religious fervor, that leads to atrocity. War—total war—has been the crucial antecedent condition for mass criminality in the modern era. The first primitive concentration camps were set up by the British during the Boer War of 1899–1902. Without World War I there would have been no Armenian genocide and it is highly unlikely that either communism or fascism would have seized hold of modern states. Without World War II there would have been no Holocaust. Absent the forcible involvement of Cambodia in the Vietnam War, we would never have heard of Pol Pot. As for the brutalizing effect of war on ordinary soldiers themselves, this of course has been copiously documented.
The United States avoided almost all of that. Americans, perhaps alone in the world, experienced the twentieth century in a far more positive light. The US was not invaded. It did not lose vast numbers of citizens, or huge swathes of territory, as a result of occupation or dismemberment. Although humiliated in distant neocolonial wars (in Vietnam and now in Iraq), the US has never suffered the full consequences of defeat. Despite their ambivalence toward its recent undertakings, most Americans still feel that the wars their country has fought were mostly "good wars." The US was greatly enriched by its role in the two world wars and by their outcome, in which respect it has nothing in common with Britain, the only other major country to emerge unambiguously victorious from those struggles but at the cost of near bankruptcy and the loss of empire. And compared with other major twentieth-century combatants, the US lost relatively few soldiers in battle and suffered hardly any civilian casualties.
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Ignorance of twentieth-century history does not just contribute to a regrettable enthusiasm for armed conflict. It also leads to a misidentification of the enemy. We have good reason to be taken up just now with terrorism and its challenge. But before setting out on a hundred-year war to eradicate terrorists from the face of the earth, let us consider the following. Terrorists are nothing new. Even if we exclude assassinations or attempted assassinations of presidents and monarchs and confine ourselves to men and women who kill random unarmed civilians in pursuit of a political objective, terrorists have been with us for well over a century.
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This abstracting of foes and threats from their context—this ease with which we have talked ourselves into believing that we are at war with "Islamofascists," "extremists" from a strange culture, who dwell in some distant "Islamistan," who hate us for who we are and seek to destroy "our way of life"—is a sure sign that we have forgotten the lesson of the twentieth century: the ease with which war and fear and dogma can bring us to demonize others, deny them a common humanity or the protection of our laws, and do unspeakable things to them.
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Far from escaping the twentieth century, we need, I think, to go back and look a bit more carefully. We need to learn again—or perhaps for the first time—how war brutalizes and degrades winners and losers alike and what happens to us when, having heedlessly waged war for no good reason, we are encouraged to inflate and demonize our enemies in order to justify that war's indefinite continuance. And perhaps, in this protracted electoral season, we could put a question to our aspirant leaders: Daddy (or, as it might be, Mommy), what did you do to prevent the war?
Update: Just after publishing this post I saw in the April 20th New York Times Book Review, Geoffrey Wheatcroft's review of "Reappraisals", Judt's new collection of essays.
Sunday, April 13, 2008
Urdu in Delhi
There is an interesting essay on the state of the Urdu language in Delhi titled "Urdu and the City" in this week's issue of Outlook India. There is some conflicting evidence presented about a mini-surge of interest in Urdu beyond the traditional Muslim readership (particularly those with the ability to read the script). What I found most interesting were the innovative performing art approaches to introduce Urdu to newer audiences. Anees Azmi's children's plays, his readings of "Ghalib Ke Khatoot" and Mahmood Faruqi's "Daastan Goi" seem to be genuinely creative efforts at a softer pedagogy. Zia Mohyuddin's readings have performed a similarly invigorating role in introducing classics of Urdu literature to the "English Medium" segment of younger Pakistanis. (Photograph is of Mahmood Farooqi during a performance. He performs the epic "Daastan-e-Ameer Hamza Sahibqiraan". I believe Mahmood is the son of the eminent Urdu critic Shamsur Rahman Faruqi.)Sunday, April 06, 2008
The Sounds of Punjabi Music - Part 1 (Film Music)
I was particularly fortunate to grow up in a family where I was amply exposed to both the Punjabi language and music but many years abroad had served to obscure many of those fond memories. It is only after the internet revolution that I have rediscovered much of that music. In this post (and in future posts) I want to share some of my favorite Punjabi singers and their music and provide a guide to some excellent sources for further enjoyment for those who may want to explore further. This is the first in a series of three planned posts and here I will focus on Punjabi Film Music.
Few now remember that until the 1970's Pakistan had a fairly thriving film industry based in Lahore. Noor Jehan's masterful voice so dominated Pakistan's film music singing that it overshadowed other unjustly forgotten talents. I am particularly fond of Zubaida Khanum's singing. Here's a wonderful song by her composed by "Baba" G.A. Chishti from the 1957 film "Yakke Wali" in which Musarrat Nazir played the title role. The song is "Resham Da Lacha Lak We". These old black & white films evoke a simpler, more innocent time and place. I feel that in many of these songs the Punjabi film heroines are portrayed as less demure figures than their contemporaries in Bombay's films of that era. Many of these women seem to exude a rugged self confidence even within the confines of their traditionally assigned roles.
Zubaida Khanum sang some of the most popular Punjabi film songs of the 50's and 60's. Some of my other Zubaida Khanum favorites include "AssaN Jaan Ke Meet Lai Akh Way" from the 1955 film "Heer" and "Bundey Chandi Dey" from the film "Chan Mahi".
Inayat Hussain Bhatti who hailed from Gujrat is another forgotten name today but many of his songs in the two decades after partition were enormously popular. A glance at his biography shows Bhatti's impressively versatile personality which bucks any stereotype of a Punjabi film hero. The video below is one of my favorite Inayat Hussain Bhatti songs called "Bhagan Waleo" from the 1953 film "Shehri Babu". This song was composed by Rashid Attrey (who along with Master Inayat Hussain and Khawaja Khurshid Anwar comprises the holy trinity of Pakistani music directors). Bhatti himself is the actor in this clip:
Some other of my Inayat Hussain Bhatti favorties include "Chan Mere Makhna" (popularized more recently by Shazia Manzoor) and a nice duet with Zubaida Khanum called "Goray Goray Hath Kali Wang Mundaya".
No post on Punjabi film music can be concluded without including a sampling from Noor Jehan's legendary career in Punjabi film singing. Many of her songs (courtesy of singing at Mehndis) are so deeply rooted in West Punjab's culture that they are intimately familiar even to those who have never set foot in a Pakistani cinema. Here is a personal favorite titled "Chan Mahi Aa" from the 1970 film "Heer Ranjha" composed by the master tunesmith Khurshid Anwar.
"Heer Ranjha" had a phenomenal soundtrack and virtually all the songs were superhits including "Mein Cham Cham NachaN", "Wanjhli Walarea", "Rabba Wekh Laya", "Kadi Aa Mil Ranjhan We" and Irene Parveen's lovely, chirpy number "TooN Chor Mein Teri Chori".
Here are some other Noor Jehan songs I like: "Weh Sonay Deya Kangna Sauda Iko Jaya", (a wonderful song in which Anjuman truly makes Noor Jehan's voice come alive), Tere Mukhre Da Kala Kala Til We", (with Noor Jehan herself in the lead role) "Jadon Holi Jai" and countless more.
Coming in Part 2: Punjabi Sufi & Folk Music
Saturday, March 15, 2008
Obama - The Inspirational Maternal Influence
It is clear to most observers of the American political scene that the Democratic presidential choice between Barack Obama and Hillary Clinton this year is not a choice between radically different policy or ideological positions. Obama's attractiveness as a candidate depends in large part on his inspirational biography and a sense amongst his supporters that he is a more authentic, less calculating figure who has demonstrated sound political judgment during his years in public service.Tuesday, February 19, 2008
Elections in Pakistan - The Day After

Sunday, February 17, 2008
Election Day in Pakistan
Today Pakistanis will go to the polls in perhaps one of the most important and fraught elections in the benighted nation's history (with the possible exception of the 1970 elections which eventually resulted in the creation of Bangladesh). The atmosphere is filled with uncertainty about the fairness of the election process. Benazir Bhutto's assasination has cast a pall over these elections. The threat of violence is omnipresent and large numbers of people are suffering unprecedented economic difficulties driven by wheat and energy shortages. If the elections are crudely rigged, then these elections could very well be the harbinger of significant violence and worsening political instability.Monday, February 04, 2008
"A Few Words on the Soul" by Wislawa Szymborska
Taking the cue from one of my favorite destinations on the web, 3QD, I too have resolved to post more of my favorite poems this year. However, on this blog expect to see Urdu poetry as well as Western verse. Unlike my friend Raza Rumi I have no talent for poetry translation so, with regrets, Urdu poetry will be in the original (in Roman letters).Saturday, February 02, 2008
Campaigning for Obama
February 5th is Super Tuesday when 24 states, including California, will vote or caucus in the Democratic primary. I am supporting Barack Obama in this primary and would like to see him as the party's nominee against the Republicans in November. My reasons are simple: he is an inspirational figure with a preternatural ability to motivate people, has demonstrated independence and excellent judgment in opposing the Iraq war from the very beginning and possesses a healthy intelligence, policy acumen and intellectual curiosity necessary for the job. The historic prospect of an African-American President of the United States of America is also an important contributing factor. He does not have many years of experience in Washington but Nicholas Kristof in the New York Times has laid out the best argument on why this is not as important as is commonly believed(his lack of executive experience would be a more valid criticism). He made a blunder by sounding naively hawkish on Pakistan several months ago but demonstrated sound temperament by learning from the criticism that inevitably followed and fine tuned his views.Friday, February 01, 2008
Arundhati Roy & Tony Judt on Genocide
On January 18th, Arundhati Roy spoke in Istanbul at the first death anniversary of Hrant Dink, the courageous Turkish-Armenian editor of the newspaper Agos, who was assasinated by a 17 year old Turkish nationalist. With more than 100,000 people marching silently through the streets of Istanbul at Dink's funeral last year, the assasination brought into focus, yet again, the deplorable official Turkish position of continued denial of the Armenian genocide of 1915. In this speech titled "Listening to Grasshoppers", (reprinted in abridged version by Outlook India) Roy does not have much to say about the Armenian tragedy specifically but reflects more generally on the nature of genocides ("Its an old human habit, genocide is")."Meanwhile, we should all of us perhaps take care when we speak of the problem of evil. For there is more than one sort of banality. There is the notorious banality of which Arendt spoke —the unsettling, normal, neighborly, everyday evil in humans. But there is another banality: the banality of overuse—the flattening, desensitizing effect of seeing or saying or thinking the same thing too many times until we have numbed our audience and rendered them immune to the evil we are describing. And that is the banality— or "banalization"—that we face today."
Monday, January 28, 2008
The Cure at Troy - Seamus Heaney
In the New York Times several days ago, in a piece about Barack Obama and the politics of hope, the writer Dave Eggers quoted an excerpt from a poem titled "The Cure at Troy" by the Nobel Laureate Seamus Heaney. The poem has stayed with me partly because in that very first reading it made me think about the situation in Pakistan where even though optimism seems to be in short supply there is still the lingering sense of hope exemplifed by the courageous lawyers and judges in their struggle for law and justice.Human beings suffer,
The innocent in gaols
History says, Don't hope
So hope for a great sea-change
Call the miracle self-healing:
That means someone is hearing
Pakistan After Benazir Bhutto
I was in Pakistan on December 27th, the day Benazir Bhutto was assasinated in the garrison city of Rawalpindi. I watched the television screen in utter disbelief as the initial news of the murderous attack on her was soon followed by the confirmation of her death. Those who have read any of my political musings know that I took a dim view of her time as Prime Minister, was not a fan of her frequently opportunistic politics and thought her murky dealings with Musharraf at Amercian behest were a singularly bad idea.Monday, January 21, 2008
Simon Jenkins' Lament for Lahore
That Lahore has suffered as a city since partition is undeniable. The unfortunate cleansing of the Hindu and Sikh population at the time of independence robbed Lahore of much of its cultural diversity. The continuing neglect of its historic architectural heritage, the steady degradation of its environment and the erosion of many of its literary institutions have all contributed to a general sense of decline. Simon Jenkins writing in The Guardian is right to lament this downward slide even as he acknowledges the many wonders of the city. I am inclined to blame Musharraf for many of Pakistan's current ills but it is hard to pin the current state of Lahore on his malign neglect, as Jenkins asserts. To me the plight of modern day Lahore is simply a reflection of the general state of deterioration of the Pakistani polity.
Sunday, January 20, 2008
The Brilliance of Steven Pinker's Mind
Cosmologists, Quantum Physicists, Geneticists, Cognitive Scientists, Evolutionary Biologists and others are continuously working to advance human understanding from the macro (origins of the universe) to the micro (behavior of genes, functioning of the mind). All this knowledge has a profound influence on metaphysics, religion, ethics, economics, sociology and other fields of the humanities and social sciences. These areas of human study then have to contend with the onrush of scientific evidence about human behavior, its nature and its origins either by incorporating the evidence or by challenging it. It is therefore of the utmost importance that laypeople who care about these issues develop some understanding of the current state of scientific learning about these subjects.Steven Pinker, the hard to label Harvard Evolutionary Psycholgist is amongst one of the best examples of current scientists who can write well for a broader audience. This post was precipitated after reading his excellent essay titled "The Moral Instinct" in the January 13th, 2008 issue of The New York Times Sunday Magazine. It is hard to summarize the breadth of the essay's argument but in it Pinker explains the existing evidence for the biological (evolutionary) underpinnings of our morality. He examines many interesting examples about the universality of morals and tries to square them with the clearly observed differences across cultures. The essay is somewhat long but I couldn't recommend it any more strongly and urge people to read it. There are few popular pieces of writing that engage this deeply in reflecting on the sources of our deeply held moral beliefs.
Excerpts:
When anthropologists like Richard Shweder and Alan Fiske survey moral concerns across the globe, they find that a few themes keep popping up from amid the diversity. People everywhere, at least in some circumstances and with certain other folks in mind, think it’s bad to harm others and good to help them. They have a sense of fairness: that one should reciprocate favors, reward benefactors and punish cheaters. They value loyalty to a group, sharing and solidarity among its members and conformity to its norms. They believe that it is right to defer to legitimate authorities and to respect people with high status. And they exalt purity, cleanliness and sanctity while loathing defilement, contamination and carnality.
The exact number of themes depends on whether you’re a lumper or a splitter, but Haidt counts five — harm, fairness, community (or group loyalty), authority and purity — and suggests that they are the primary colors of our moral sense. Not only do they keep reappearing in cross-cultural surveys, but each one tugs on the moral intuitions of people in our own culture.---------
All this brings us to a theory of how the moral sense can be universal and variable at the same time. The five moral spheres are universal, a legacy of evolution. But how they are ranked in importance, and which is brought in to moralize which area of social life — sex, government, commerce, religion, diet and so on — depends on the culture. Many of the flabbergasting practices in faraway places become more intelligible when you recognize that the same moralizing impulse that Western elites channel toward violations of harm and fairness (our moral obsessions) is channeled elsewhere to violations in the other spheres. Think of the Japanese fear of nonconformity (community), the holy ablutions and dietary restrictions of Hindus and Orthodox Jews (purity), the outrage at insulting the Prophet among Muslims (authority). In the West, we believe that in business and government, fairness should trump community and try to root out nepotism and cronyism. In other parts of the world this is incomprehensible — what heartless creep would favor a perfect stranger over his own brother?
Monday, December 17, 2007
Monday, November 26, 2007
An Interview with Pankaj Mishra
Mishra continues to be one of the most thoughtful literary and journalistic voices in contemporary India. I enjoyed reading a detailed interview with him in "The Believer" magazine. (Thanks to Amitava Kumar's blog).
Excerpts:
"--- but I think the reporter or journalist is well served by having a responsibility to the powerless, to use a much-abused cliché. The voice of the powerless is in some danger of not being heard in the elite discourses we now have in the mainstream media. This is something that I’ve learned late. Obviously, I write for a very elite audience, but is there something else that I’m also responsible to? People who write about issues like poverty or terrorism are a part of the elite, and the distance between the elite and nonelite is growing very fast. You can move around the world but meet only people who speak your language, who share the same ideas, the same beliefs, and in doing so you can lose sight of the fact that the vast majority of the world does not think or believe in or speak the everyday discourse of the elite. Yet their lives are being shaped by these elites, by people like us. I don’t mean this in a pompous way, but we have a responsibility to articulate their sense of suffering."
"--- some of my students seem to want to be able to write without actually reading, which seems utterly bizarre. When I assign certain readings, they often say, “I can’t relate to this,” which means whatever story we’re reading is so far outside of their experience—which tends to be limited—that they will not make the effort to understand what it is about. I find this a crippling attitude to have toward literature, toward history, toward all sorts of things.
Some of my students don’t have a sense of whether their writing is any good or not. They think it’s good just because it comes out of them and it’s a part of their being. To criticize their writing is to criticize them in some profound way. It’s as if they’ve been taught far too much self-confidence—and maybe not much else."
Sunday, November 25, 2007
The New Pakistani Middle Class - New York Times
Some excerpts:
As he fights to hold on to power, General Musharraf finds himself opposed by the expanded middle class that is among his greatest achievements, and using his emergency powers to rein in another major advance he set in motion, a vibrant, independent news media.
Since he took power, Pakistan’s gross domestic product has doubled. The number of cellphones has soared to 50 million, from 600,000 six years ago. The privatization of banks has led to a huge increase in the sales of cars, motorcycles and, perhaps most important, television sets. Globalization has taken hold, as it has in other countries.
That spreading economic success — and exposure to the outside world — has filled Pakistan’s white collar office workers, stockbrokers and small-business operators with a belief that their country can be more than the backward fief of a few generals, many said in interviews.
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For decades, Pakistan’s moderate elite has been dismissed as “the chattering classes,” who have shied away from the political arena and rarely voted.
Instead the political system has been dominated by feudal landlords who could deliver huge blocks of votes from poor tenant farmers. The key to winning elections was striking the right alliances and spreading graft, not developing a coherent political platform or putting in place broadly beneficial social policies.
Yet the country is slowly changing, in ways that have left a growing number arguing that Pakistan is more prepared than ever for democratic rule.
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This spring, the middle class vigorously supported a successful campaign by the country’s lawyers to reverse an attempt by General Musharraf to dismiss the country’s chief justice.
For now, greater mobilization is hobbled by a deep distrust of their political leaders and the United States. A perception is growing that the United States will betray middle-class Pakistanis — Washington’s greatest long-term ally in the fight against terrorism — and continue backing an unpopular military ruler who refuses to give up power.
Many said they believed that General Musharraf had tried to contain — but not eliminate — a dangerous rise in militancy in the country because it allowed him to garner billions in American military aid for Pakistan’s army.
Friday, November 23, 2007
The Myth of Musharraf's "Sincerity"
I finally responded to a friend on why this view is wrong-headed and an incorrect framing of the issues. I have decided to share that response more widely given its potential relevance to a broader group(purging any personal details and after minor editing).
___________________________________________________________
An Open e-mail:
The question of "sincerity" is wholly irrelevant to any discussion of Pakistan's political crisis. I have no idea whether Musharraf, Nawaz, Benazir, Imran or anyone else is sincere or genuinely cares about a better Pakistan. I can claim no special insight for looking into people's hearts to divine their 'true' intentions. The only things that I am able to base my judgments on are observable actions and outcomes geared towards the goals that I embrace. If the actions further these goals then I am supportive of those actions, if not I oppose them. If on balance individual leaders do more to advance these goals than to retard them compared with other political actors then they have my support.
Based on my view above, the fundamental question therefore is this: What are the goals and principles that we support and how is any individual leader measuring up in helping achieve these goals? The goals we should support include first and foremost, the strengthening of civilian state institutions and clear progress toward a rule of law based constitutional democracy ( i.e. an independent judiciary, right of people to elect and throw out their governments via a constitutional process, civilian supremacy over the armed forces and intelligence agencies), growth oriented economic policies with sustained social investments in basic education and health and a free and independent media.
How do I judge Musharraf on performing to these goals? A C- before November 3rd and an F after the second Martial Law. Since November 3rd, Musharraf has showed complete willingness to destroy every last vestige of independent Pakistani institutions for perpetuation of personal power, backed by the barrel of the gun. Even actions he was given credit for prior to November 3rd, such as support of a free media, have seen a complete reversal now when the media has refused to play his tune. Macroeconomic growth (without much trickle down, however) is the only silver lining of his 8 year autocracy but it has come at the price of institutional destruction, deep internal political instability, alarming rise in extremism and persistent US interference in all facets of Pakistan's governance to the point where the US Ambassador is a virtual Viceroy meeting government officials, political leaders, election commission officials and media organizations in trying to rescue a "failed state with nukes".
Musharraf equates his own personal interest with the national interest. National interest cannot be determined by an individual or the military. It can only be arrived at with the people's consent and with institutional checks and balances on the behavior of all political actors, including the military. He has been solely incharge for 8 years as a COAS and President with a rubber stamp parliament since 2002 but what greater measure of his failure to build any stable institutional structure that he still had to decapitate his own system by overthrowing the independent judiciary, shutting down the electronic media and locking up most of moderate civil society all while falsely claiming to have done this in the name of fighting terrorism. Are we supposed to take his word that he is sincere after his rigging a referendum, rigging 2002 elections, breaking promises to take his uniform off twice, letting the most corrupt politicians and feudals off the hook as long as they joined PMLQ or were willing to support him (BB recently, MQM since the beginning) and now unleashing despotic and illegal acts since November 3rd? How is this persistent pattern of tyrannical actions and political corruption consistent with the advance of institutions and a "true democracy"? After eight years of misrule, should we continue to wait for General Musharraf indefinitely to prove his sincerity despite accumulated piles of evidence to the contrary.
As part of Pakistan's educated class, I urge you to support principled positions rooted in institutions not individual saviors however well meaning. Choose long term goals over short termism and don't be easily seduced by facile arguments in favor of the rotten status quo in the name of pragmatism. Join the forces and build the capabilities of the developing Pakistani civil society that will provide a more robust check in the future to all errant rulers. You will see me advocating for the same positions when hopefully the constitution and democracy are restored and military is sent back to the barracks because the long term fight in Pakistan is for institutions and a rule of law based democracy not for individuals, whatever guise they come in. Whoever plays by the rules of the law and constitution deserves support, anybody who doesn't should be opposed. The heroes to look up to in this long term fight are people like Asma Jahangir, Pervez Hoodbhoy, Justice (r) Wajihuddin, Fakhruddin G. Ibrahim, Saeeduzaman Siddiqui and others in civil society who have always been in the forefront of this struggle and who have always paid a steep price for standing up for institutions and principle. This is the only way in which Pakistan has a hope of moving forward and overtime evolving a stable and democratically accountable polity.
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Putin's Russia & Musharraf's Pakistan
Here are some selections:
"Eleven hundred years of history have taught us only two possible relationships to authority, submission and revolt. The idea of peacefully replacing our ruler through a legal process is still a wild, alien thought for us. The powers-that-be are above the law and they're unchangeable by law. Overthrowing them is something we understand. But at the moment, we don't want to. We've had quite enough revolution."
"The members of the political elite are even more profoundly attached than the masses to the idea of the immutable dominance of the powers-that-be, because it is their own position that is in question. But infusing the values of the imperial state into the public mind is only an intermediate goal for the Russian political establishment. The main goal is to entirely eradicate European mechanisms of power transfer in Russia and to consolidate the Byzantine model of succession."
"What should be done if one cannot accept the Byzantine system of power? Retreat into the catacombs? Wait until enough energy for another revolt has been accumulated? Try to hurry along revolt, thereby posing another "orange threat," which Putin and his allies have used, since the 2004 Ukrainian elections, to frighten the people and themselves? Attempt to focus on the demand for honest elections? Carry on painstaking educational work, in order to gradually change citizens' views?Each person will have to decide in his or her own way. I imagine—with both sorrow and certainty—that the Byzantine system of power has triumphed for the foreseeable future in Russia."
Sunday, November 18, 2007
Poetry as an Antidote to "Rulers of the Masses"
This morning I have been listening to Iqbal Bano's beautiful rendition of Faiz's ghazal "Yeh mausam-e-gul garche" and thinking about poetry as the highest of art forms. The subtlety of thought and the economy of expression required for good poetry militates against a lazy, rambling and unstructured mind. The Nobel laureate poet Joseph Brodksy starts his collection of critical essays "Of Grief and Reason" with a wonderful quote from W.H. Auden: "Blessed be all metrical rules that forbid automatic responses, force us to have second thoughts, free from the fetters of Self."
With that, here are some verses of Faiz's ghazal mentioned above from "Sham-e-Shehr-e-YaaraN" that precipitated this reverie:
Yeh mausam-e-gul garche tarab khez bohat hai
Sunday, November 11, 2007
Mohsin Hamid on NPR & Solidarity with Justice Bhagwandas
"Citizens of Islamabad gathered outside Civil Junction to celebrate DIWALI in solidarity with the Honourable Justice Rana Bhagwandas, our courageous 'Prisoner of Conscience' who was forced to celebrate this significant event at home. Thank you, honourable Bhagwandas and the 6 other honourable judges for giving 'hope' to our children. We will always be grateful to you and you will live forever in history."
Friday, November 09, 2007
The Struggle for Rights
Freedom has its life in the hearts, the actions, the spirit of men and so it must be daily earned and refreshed - else like a flower cut from its life-giving roots, it will wither and die.Those who expect to reap the blessings of freedom, must, like men, undergo the fatigue of supporting it.
~Thomas Paine
Photo Credit: Protest at LUMS(from the NY Times)
Thursday, November 08, 2007
Asma Jahangir's Appeal to Support Lawyers and Judges in Pakistan
Asma Jahangir has sent out an urgent e-mail appealing to bar associations all over the world to support the imprisoned lawyers and judges of Pakistan. This is indeed a heartbreaking situation that demands that civilized people all over the world join forces to defeat Musharraf's forces of oppression and terror. Please read her appeal and support Pakistani civil society any way you can. She is a true hero and as long as there are courageous and principled people like her in Pakistan I refuse to lose hope.law@aghs.brain.net.pk
Special Rapporteur of the UN Commission on Human Rights on extrajudicial, summary or arbitrary executions(Since August 1998)
Wednesday, November 07, 2007
The Struggle for a New Pakistan in the Shadow of Tyranny
A combination of distractions had kept me away from this blog for a few months despite having queued up a number of things I had been meaning to write about such as a piece on Quarratulain Hyder and one on Pakistani writers in English. Depressed by the shenanigans of BB and the politicians, NRO and the sham Presidential elections I just couldn't muster the enthusiasm to even consider writing about Paksitan but then ----Friday, August 03, 2007
"Mother of All Deals": A Recipe for Continued Instability
If he is factually correct about the specifics of the "Mother of all deals" (it still seems speculative punditry to me), then his analysis is naive in the extreme. It increasingly seems to me that Sethi has become so caught up in being an influential insider with a privileged view of the daily "jor tor" of power politics that he has lost his analytical moorings.
One key flaw in his reasoning is his completely static analysis of the "deal" in which a few key players (Musharraf, Bhutto, Fazl-ur-Rehman) will redraw the political map amongst themselves and everything else will fall in line. Sethi displays no awareness that the arrangement he outlines would be deeply unstable and will have resolved few of the fundamental contradictions at the heart of Pakistan's current crisis of governance. The deal will not begin to resolve the issues of military-civilian power balance nor the current lopsided dynamic of power between the Presidency and the Parliament. After the elections, the countdown to Musharraf's "uniform doffing date" will start immediately with all the attendant speculation and uncertainties that were experienced when he made this "promise" the last time around. The nation will once again be witness to endless maneuvering and horse trading between Mush and the parliament to demarcate boundaries of power with the military remaining at the center of the controversy. Meanwhile all the problems and complexities of actual governance will remain neglected.
The deal is also likely to alter the political landscape in other unexpected ways: PML-Q and PPP could experience significant dissension from within and PPP will likely lose popular support, particularly in Punjab, for bailing out a weakened Musharraf. The parties cut out of the power equation unceremoniously by PPP (i.e. PML-N, JI, PTI) will continue their campaign against the unpopular uniformed President with the added grievance of the PPP "betrayal". After saving Musharraf again, Fazl-ur-Rehman will revert back to form excoriating the secular Musharraf and his allies to please his Taliban constituency during and after the elections. The end result of this deal will almost certainly be to weaken moderate forces as they will be viewed as having compromised on basic principles for personal gain. The amalgam of anti-Musharraf, anti-PPP right (with PML-N and PTI pushed into this grouping) will gain in stature to the long term detriment of the Pakistani polity.
Reading Sethi you would think that the deal is a panacea for Pakistan's ills. It will do nothing but prolong the agony of the last couple of dysfunctional years. The need is for Musharraf to doff his uniform and hold free and fair elections. After he takes these steps if certain political parties, like PPP, want to elect him a civilian President there will be fewer objections to it. But at least getting Musharraf to abide by some basic rules right away will help begin a rational process by which the balance of institutional powers could be restored back to the original constitutional intentions. This route is also more likely to avoid a dangerous split between PPP and PML-N. To tackle Pakistan's complex domestic and national issues it is imperative that the large mainstream parties develop a working relationship with some basic trust in each other.
It is my hope that Sethi's view is not the prevailing wisdom in Pakistan's elite circles and that the PPP leadership displays greater political foresight. Unfortunately, the recent events and statements emanating from BB do not leave anybody optimistic. Another opportunity to right the ship of state seems likely to be squandered.
Bob Dylan in Concert
Last weekend, I was thrilled to be a part of a memorable musical experience when I saw Bob Dylan perform live in concert for the first time. Dylan performed in Kelseyville, California about a 150 mile drive from where I live in the San Francisco Bay area. The venue was the charming 5,000-person capacity Konocti Outdoor Amphitheater on the banks of the Clear Lake. It was a beautiful, warm summer evening and the concert was an absolute treat.I certainly cannot claim to be one of those lifelong Dylan fans who know the lyrics to every Dylan song and can reliably narrate every twist and turn of his long and remarkable performing career but I have been an admirer of his music and songwriting for a long time. Some of Dylan's songs such as "It's all over now, baby blue" and "Shelter from the storm" make the list of my all time favorites. However, to be fair, my desire to see Dylan in concert was also based, in part, on experiencing first hand a performance of this unique 60's counterculture icon.
Dylan is 66 years old and since 1988 has been on a "Never Ending Tour" performing more than 100 concerts a year. His voice is now more gruff and raspy than in his famous studio recordings but it still retains that quintessential raw quality. The performance was extremely lively and energetic. Dylan and his Band have refused to turn these live concerts into nostalgia acts so even the classic oldies are typically performed in newer arrangements. For those like me who don't follow the band around, it would have been nice to hear some of the familiar arrangements for songs like "Blowin' in the wind" but overall it was still an exhilarating experience.
Here's the set that Dylan and the Band played that evening:
1. Leopard-Skin Pill-Box Hat (Bob on electric guitar)
2. It Ain't Me, Babe (Bob on electric guitar)
3. I'll Be Your Baby Tonight (Bob on electric guitar)
4. It's Alright, Ma (I'm Only Bleeding)(Bob on electric guitar)
5. Workingman's Blues #2 (Bob on keyboard)
6. Rollin' And Tumblin' (Bob on keyboard)
7. Boots Of Spanish Leather (Bob on keyboard and harp)
8. Lonesome Day Blues (Bob on keyboard)
9. Desolation Row (Bob on keyboard and harp)
10. Highway 61 Revisited (Bob on keyboard)
11. Spirit On The Water (Bob on keyboard and harp)
12. Stuck Inside Of Mobile With The Memphis Blues Again(Bob on keyboard and harp)
13. Ain't Talkin' (Bob on keyboard)
14. Summer Days (Bob on keyboard)
15. Blowin' In The Wind (Bob on keyboard)
(encore)
16. Thunder On The Mountain (Bob on keyboard)
17. All Along The Watchtower (Bob on keyboard)
(With thanks to Bill Pagel's Bob Dylan tour webpage for details on the set)
Here's one of my Dylan all-time favorites:
Monday, July 23, 2007
Dalrymple & Hamid - Understanding the Rage
As of late, Pakistan has been a hot topic in the Western press. Most of the coverage is the usual unenlightening blather about nukes and extremism but there have been a few good, thoughful pieces. Of course, given the tumultuous nature of current Pakistani politics, events on the ground soon overtake even the most up to date writings on the country.The Triumph of Justice but What's Next
July 20th, 2007 will be long remembered as a historic day in Pakistan when the honorable judges of the Supreme Court, led by Justice Ramday, reinstated the suspended Chief Justice and struck a vital blow for an independent Judiciary in the country. This unequivocal reversal of Musharraf's political folly has breathed life into Pakistan's moribund political landscape.Sunday, June 10, 2007
"Pakistan's Dictator" - New York Times Gets it Right
I would encourage all those who are able to write to the New York Times to write and express approval of the newspaper's stance supporting the restoration of a rule of law-based democratic government in Pakistan. Instructions of where and how to send the letter here.
Saturday, June 09, 2007
The Evolution of Larry Summers
The New York Times Sunday Magazine has a remarkably interesting profile of Larry Summers discussing the evolution of his thinking on economic matters but also touching on the development of his personality since his stint under Robert Rubin at the Treasury. Summers is an impressive intellect who, at 52 years of age, has accomplished more in three different careers than many talented people do in a lifetime.Monday, June 04, 2007
Government of the Generals, by the Generals, for the Generals
Deciphering the underlying reality from official proclamations is always a risky business, but if we take at face value the statement issued by the Corp Commanders and Staff Officers of the Pakistan Army after discussions with President/COAS Musharraf, the signs for the republic are indeed ominous. The statement loudly proclaims fealty to Musharraf, applauds his great dual role accomplishments, threatens the media and civil society and demands respect on the point of a gun for an institution thoroughly compromised by its taste for economic and political power. Here is a most shameless display by the army's leadership of besmirching its own honour and a violation of their oath of allegiance to the constitution and the country. No amount of browbeating of the public will force it to respect an individual or an institution. As the American civil rights leader Eldridge Cleaver aptly said: "Respect commands itself and it can neither be given nor withheld when it is due."
The army hierarchy clearly seems irritated by the increasingly direct criticism of the military's central role in the political and economic spheres in Pakistan. But this is a debate that is long overdue. The military's chokehold on the affairs of state have resulted in weak political institutions, enriched the officer corps at the expense of the nation, distorted national priorities and shifted the military's focus away from professional matters. The presence of all intelligence heads (MI, ISI and IB) in the meeting to persuade the CJP to resign was an egregious illustration of how far the military has moved away from its primary responsibility of national security and instead become the full-time guardian of its corporate and political interests. Civilian control of military affairs is the established norm in every civilized democratic government (including our neighbor) and, as distant as that may seem today, it is the desired end state in Pakistan as well. The code words for suppressing this legitimate debate on the military's role in Pakistani society are "respect" and "politicization". It is laughable that a COAS/President instructs the nation not to politicize the army when he controls all the levers of political power, uses his political and ethnic surrogates to create mayhem in Karachi, holds meetings at the Presidency and Army House with his political cronies, pressurises his presumed judicial opponent in uniform surrounded by senior military personnel and then huddles with his military leadership to issue a threatening statement to the country to preserve self-rule. Mr. President, it is hard to imagine how the army could be any more politicized!!
The CJP's forcible removal was just a catalyst for this current conflagration but the truth is that the underlying malignancy of this regime was eventually bound to be exposed. Musharraf's liberal supporters have often forgotten this in the past that in a dictatorial polity without democratic representation and legitimacy, it does not matter much whether the government happens to promote liberal or fundamentalist behavior. The ultimate yardstick is always self-preservation and the perpetuation of one man rule. It has taken this crisis to expose the regime's fragility and to strip it of its faux-gentle facade. How often did Musharraf talk about the "true democracy" he was establishing and touted the freedom of the press that "he had granted" so magnanimously! Of course, it turns out that the media is free as long as it does not tell unpleasant truths that threaten his hold on power. At the first signs of trouble we have Geo and AajTV off the air, promulgation of the media-gagging PEMRA 2007 ordinance, hounding of the courageous scholar and author of Military Inc. Dr. Ayesha Siddiqa and explicit threats to respected journalists all over the country.Musharraf's end will be similar to all the other khaki saviors in Pakistan's sordid history ("they leave themselves no other options") but how much more damage he does to the country before he is consigned to the dustbin of history is still an open question. If the escalations of the past few days are any indication, Musharraf will not go without causing a lot more pain to the fragile Pakistani state.
Wednesday, May 23, 2007
United States Belongs on the Side of Democracy
The United States needs to unambiguously weigh in on the side of constitutional democratic governance and the people of Pakistan. It is the right position on moral and pragmatic grounds. Only consistent and clear support by the US government for civil society forces that advocate and struggle for a rule of law, democratic governance, free media and human rights will eventually create Muslim societies that are not a threat to themselves and the rest of the world. American governments often speak of these principles but rarely stand behind them when it matters most. Pakistan's courageous civil society (which sadly does not even look to the US for inspiration any more) is leading an inspiring struggle of the kind that American officials pray for in Iran, but in Pakistan it only results in banal State Department statements of support for our erstwhile uniformed ally. Pakistanis and the Muslim world will believe in America's rhetoric only if it consistently backs its own principles and does not sacrifice them at the altar of short term expediency. Only America has the clout to make a real difference in promoting freedom and stability in Pakistan and America needs to answer the call. We need not fear a democratic Pakistan. Only a country on a more solid democratic footing with a representative government can be a stable and reliable ally.
Here are the powerful words that end the NY Times editorial:
"A succession of uniformed dictators has misruled Pakistan for more than half of its 60-year history. All have advertised themselves as great friends of Washington, but all have fanned extremism while discrediting America’s reputation among ordinary Pakistanis. There is no security with General Musharraf. The United States belongs on the side of Pakistani democracy".
Monday, May 14, 2007
Tyranny Descends on Pakistan
I will not criticize the media for succumbing to this extreme coercion while working in an environment of constant threats and extreme insecurity as they are and have been doing a courageous job of standing up to unjust authority. However, I would implore the journalists and media owners to resist, to the best of their abilities, this new phase of darkness being imposed by a government which cares for nothing but the perpetuation of its illegal and authoritarian rule. This valiant effort of the people to reclaim political space from a usurping military should not go to waste. The end result of this struggle needs to be an independent judiciary, free media, a strengthened rule of law and a return to civilian rule.
Here is to the hope that the people of Pakistan will soon escape the yoke of this latest self-styled uniformed savior and will overtime (with painstaking effort) build a democratic polity that can produce civilian leaders worthy of governing this country and able to build a decent state for its people.
Saturday, May 12, 2007
A Dark Day in Pakistan's History - Karachi Burning
The details emerging out of Pakistan are still somewhat sketchy but some facts are clear; more than 30 people are dead and over 115 injured. The CJ was unable to address the Sindh Bar Association and was forced to go back to Islamabad and the private television station Aaj TV, which has been in the forefront of covering pro-judiciary and anti-Musharraf protests, was attacked by armed gunmen. This is indeed another dark day in the checkered political history of Pakistan. It is now well past time for the shameful Musharraf regime to go. This illegal government has now lost the last shreds of moral authority required to govern. I salute the men and women of the civil society of Pakistan and the courageous independent media who are leading this struggle for the supremacy of the law and freedom of expression at grave risk to their life and limb.As tragic and sad as today's events in Karachi are, this political moment is of historic import for the people of Pakistan and even on this day of darkness I see some hope for a better future. Since the sacking of the CJP on March 9th, the heroic struggle of the lawyers has germinated greater democratic desire and decisively strengthened Pakistan's civil society and its beleagured independent media. In the face of relentless governmental coercion there have been heartwarming displays of peaceful resistance, none more evident than in the historic journey of Justice Chaudhry through the heart of Punjab. Those in Pakistan and abroad who desire an eventual constitutional democratic polity rooted in a rule of law have to be encouraged by these developments. The conclusion of this episode, however, remains highly uncertain because no political sagacity can be expected from those who have brought us to this pass.
This grassroots peoples' movement has also forced the politicians of all hues to make a choice; they either stand on the side of the rule of law or for the perpetuation of a dangerously unstable, one-man military banana republic. Mainstream politicians (despite all their historical shortcomings) clearly seem to grasp the national mood and the King's men who are standing up for the present dispensation to save their personal fiefdoms will hopefully pay a steep price whenever they face the electorate in a fair election. MQM more clearly exposed itself today than it ever has in its sordid history (thanks to private TV channels). The party that started with great hopes, rooted in the educated middle classes has over the years just become a collection of vicious thugs. It is wielding its fascistic tactics on behalf of people who seem to believe they have a divine right to perpetual power and who originally nurtured this party as a counterweight to PPP. MQM has shown itself the mirror image of the worst of MMA; both groups want people to acquiesce to their ideologies by force. Neither believes in nor has any fundamental respect for a constitutional rule of law.
Pakistan stands at a critical juncture as it has so many times in its unfortunate 60 year independent history. I would urge all Pakistanis and their well wishers to lend thier support to the struggle of Pakistan's revitalized civil society. Let's hope that the forces of peaceful democratic activism led by the country's courageous lawyers ultimately emerge victorious and we can close this latest chapter of the military's recurring era of authoritarian and unconstitutional misrule without further human suffering.
Monday, March 12, 2007
Protests in Pakistan
I felt a sense of pride in the strong response today from Pakistan's civil society to Musharraf's outrageous sacking of the Supreme Court Chief Justice. Led by the country's lawyers, there was a heartening willingness to stand up for the rule of law and against dictatorial fiat. This attack on judicial independence is a naked move to neutralize any smidgen of opposition to one man rule in the country. Musharraf wants the entire nation to acquiesce to his being a uniformed President for life and the final arbiter of the "national interest" even as state institutions (other than the military) wither away.The establishment of democratic, constitutional governance in Pakistan will happen only when people stand up and fight for their own rights. No individual, no foreign power will give people their rights on a platter. It was deeply disappointing to me, though not surprising, that there has been virtually no coverage in the US media of this constitutional crisis in a country which is supposedly the "closest ally" in the war on terrorism. There have been countless articles written in the US on the "democratic deficit" in the Muslim world but when mainstream, moderate elements in these countries protest the dictatorships imposed on them by tacit or explicit American support, not a peep is heard amongst the Western crusaders of Muslim reform. One can imagine the coverage today's protests would have received if they had happened in Tehran against the Iranian theocracy. Criticism of "our sons of bitches" (Musharraf, Hosni Mubarak, the Saudis) is somehow always more muted than the legitimate scorn poured on the likes of Chavez, Mugabe and Ahmedinejad. On international affairs, the American "free media" seems mostly to take its cue from the government.
BBC, at least, has to be commended for giving the story its due. It has an interesting analysis of the entire episode. There are also photographs of the protests here.
Saturday, March 10, 2007
Another Shameful Episode
Anybody with a rudimentary knowledge of Pakistan's sordid khaki-dominated political history can be forgiven for not taking the official reasons seriously. Given that Musharraf has not shown the slightest regard in the past about the destruction of politial institutions or the probity of our judiciary there is not an iota of reason to believe that this was motivated by anything other than power consolidation. This is just a step in the preparation for rigged elections later in the year to keep Musharraf in power and uniform in perpetuity. In retrospect it is clear that Naeem Bukhari's letter widely circulated on the internet was a charade likely orchestarted by the agencies in preparation for this pre-meditated move. Whatever Justice Chaudhry's personal shortcomings it is indeed a fact that he has presided over several decisions that have embarassed the government including the high profile Steel Mills case. His probing in the disappearance of hundreds of Pakistanis into the lawless, Kafkaesque world of Pakistani military intelligence also likely did not endear him to Musharraf and his cronies (amongst them that crying shame of an enabler Prime Minister, Shaukat 'shortcut' Aziz). Going into a fraught political season Musharraf cannot take any chances. That this was orchestrated at a time when the next in seniority Justice Bhagwandas was out of the country provides more evidence of the government's real intentions.
I find Pakistan's current political scene, never encouraging, extremely depressing of late. Musharraf and the army's perpetual chokehold on the people, with intelligence agencies as instruments, has sapped the country of its vitality. Mainstream political parties are paralyzed and in complete disarray. The mullahs are more regressive than ever. Law and order is at an all time low. Pakistanis are likely to emerge from the Musharraf nightmare as a country institutionally more decimated than at any other time in its history. The people of this benighted land seem destined forever to be at the mercy of one tinpot uniformed dictator after another.
The best we can do is to continue to raise our voices for the rule of law and in opposition to constant governmental violations of fundamental rights and to the systematic taking over of the institutions of state by an unaccountable and parasitic elite military class (there are of course honorable exceptions in the military but too few sadly). I am reminded of Dylan Thomas's famous poem, pessimistic as it no doubt is:
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Wednesday, February 14, 2007
W.H. Auden: "O Tell Me The Truth About Love"
O Tell Me The Truth About Love
Some say that love's a little boy,
And some say it's a bird,
Some say it makes the world go round,
And some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.
Does it look like a pair of pajamas,
Or the ham in a temperance hotel?
Does it's odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.
Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway-guides.
Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like Classical stuff?
Will it stop when one wants to be quiet?
O tell me the truth about love.
I looked inside the summer-house;
it wasn't ever there:
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn't in the chicken-run,
Or underneath the bed.
Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all it's time at the races,
Or fiddling with pieces of string?
Has it views of it's own about money?
Does it think Patriotism enough?
Are its stories vulgar but funny?
O tell me the truth about love.
When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on my door in the morning,
Or tread in the bus on my shoes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.
Saturday, February 03, 2007
The Inhuman Enemy
Yesterday I read Ian Buruma's excellent review of Clint Eastwood's new film "Letters from Iwo Jima" in the New York Review of Books. This film, in the Japanese language, has been widely praised by critics, winning the Golden Globe for "Best Foreign Language Film". The passage below in Buruma's review really caught my eye:"Most war movies have been about heroes, our heroes, and individual differences among the enemies were irrelevant, since their villainy could be taken for granted. In fact, showing individual character, or indeed any recognizable human qualities, would be a hindrance, since it would inject the murderousness of our heroes with a moral ambiguity that we would not wish to see. The whole point of feel-good propaganda is that the enemy has no personality; he is monolithic and thus inhuman."
This reminded me of a recent e-mail I had received with a link to an old song by Cat Stevens (Yusuf Islam nowadays) called "Peacetrain". The song is in the background as images of modern day Tehran flash on the screen. These images of everyday life paint a portrait of a people not unlike 'us' as opposed to pictures of an implacably ugly and hostile enemy conjured up by political propaganda. How many people visualize Tehran and its people in this way when they speak of bombings and military action? The message is powerful and surprisingly effective in its simplicity because it subverts the very essence of propaganda, the inhumanity of the 'other'.
Monday, January 22, 2007
Lahore Revisited
I just returned from a brief trip to Lahore and despite having only a few days there I was able to spend almost a full day inside the enchanting walled city area. I started out at Mori Gate and walked all the way across to Roshnai Gate at the end of Shahi Mohallah Road just past landmarks such as the Mazaar of Hazrat Naugaza Pir and the famous "Phajjay ke Pai" restaurant. Walking through the Roshnai gate I entered the Hazuri Bagh area and past the garden to the entrance of Gurdawara Dera Sahib / Ranjit Singh Smadhi.The visit to the Gurdawara turned out to be the highlight of my visit. For a long time I have wanted to see this classic Sikh structure but, for reasons unknown, Muslims are not allowed to visit this sacred monument. On a whim I asked a turbaned Sardar standing outside if I could see the Gurdawara. He thought it might be possible and agreed to ask a caretaker. He went inside the complex and returned a few minutes later with an elderly gentleman who after asking me a few questions invited me to come inside. Mr. Harpal Singh was exceptionally kind and gave me a guided tour of the premises, pointing out historic facts about the building. The thing I did not know was that this monument also contains the "Shaheedi Asthan" (the site of martyrdom) of Guru Arjun Dev (the fifth Guru of the Sikhs). Harpal Ji took me to the sacred area where the Guru Granth Sahib is kept and explained the concept of the "Akhand Paath" (the recitation of the entire Granth Sahib in a single setting which can take more than two days). There is an Akhand Paath in the Gurdawara on June 12th, the day of Guru Arjun Dev's martyrdom. Guru Arjun Dev died during the reign of Emperor Jahangir. During his confinement in a prison in the Lahore Fort, the Guru is believed to have vanished into the water miraculously and attained martyrdom after his captors were persuaded to allow him to go bathe in the River Ravi.
After thanking Harpal Ji I walked back into the walled city via Roshnai Gate and winded my way through the streets and alleys all the way to Masjid Wazir Khan inside Delhi Gate passing innumerable shops, bazaars, historic landmarks, shrines, mosques and imambargahs in Mori Gate, Lohari Gate, Shah Alam Bazaar, Mochi Gate and Akbari Mandi. Masjid Wazir Khan is one of the most beautiful and famous mosques in Lahore. It is an oasis of peace set in the midst of crowded bazaars pulsating with constant, loud and hectic commercial activity. In the courtyard of the mosque is the mazaar of the 13th century sufi saint known as Sabz Pir. I sat in the mosque courtyard for a while looking at the delicate decorations on the walls, the surrounding brick buildings overlooking this serene 17th century structure and flocks of pigeons fluttering on the mosque's domes and minarets.
On my way to the walled city I made the essential stop at Kim's; a tiny but wonderful bookstore which is part of the Lahore Museum complex and sits just across from Kim's Gun and Punjab University's Old Campus and adjoins the National College of Arts. I always discover books there that I never find anywhere else in the city. I bought Majid Sheikh's new book called "Lahore: Tales without End" and Som Anand's "Lahore: Portrait of a Lost City". Both books, in very different ways, are treasure troves of vignettes about Lahore and its people. Among dozens of fascinating Lahori tales recounted by Majid Sheikh is the story of the Renault Benz gifted by Adolf Hitler to Allama Mashriqi (founder of the Khaksar Tehreek). This car in a rusted, dilapidated state is still parked in Icchra in the courtyard of Allama Mashriqi's house. Allama's descendants still live in that house.
Sunday, October 01, 2006
Master Madan - Hindustani Music's Child Prodigy
This post owes a direct debt to Bhupinder Singh's recent entry on his blog. It has inspired me to bring together some scattered items about Master Madan.Since his untimely death as a teenage boy in 1942, Master Madan has had a persistent hold on the imagination of music lovers in the sub-continent. The combination of his virtuosic vocal ability, his hauntingly beautiful voice and the tragedy of such a promising career cut short by premature death have given Master Madan a unique place in the sub-continent's musical memory. The surviving recordings of his music (eight in total) provide music lovers a taste of Master Madan's artistry and give some sense for why he became a phenomenon at such a young age. Bhupinder's piece provides links to two of his best-known recordings. The poet is Sagar Nizami and the music is by Master Amarnath (elder brother of the filmi duo Husanlal-Bhagatram).
The six other pieces of Master Madan's extant work were introduced by journalist Khalid Hasan in his article in Dawn entitled "The boy with the golden voice" on December 31, 2001. This article also has a great biographical sketch detailing his family background, musical influences and the sad circumstances of his death. The six forgotten recordings were discovered by Khalid Hasan's musicologist friend M. Rafiq. An essay by Pran Neville on Master Madan was published today in India's Sunday Tribune and includes a rare photograph of Master Madan (above and on Bhupinder's post). A lot of the facts in this essay are the same as the Khalid Hasan article but there are a few new interesting details.
I have listened to all six of these recently discovered recordings on the website Thumri.com . Sadly, for quite some time now the links to these recordings on that website no longer work and I hope they will be fixed so we can enjoy these wonderful pieces of music on the internet. More importantly, these recordings should be published so they can get wider circulation. These six pieces include two Punjabi songs; "Ravi de parle kande ve mitra vasda hai dil da chor" and "Baghaan vich peeNgaN PaiyaN". The other four recordings are "Gori gori baiyaaN" and the three bhajans, "Mori binati maano kanha re", "Chetna hai to chet lai" and "Mana ki mana hi maan rahi". The last bhajan (which the website conjectures is in Raag Soraath) is my favorite and is a beautifully melodious piece sung with devotional intensity.
Update: On a recent search on YouTube I found two of Master Madan's ghazals that have been posted by "Rajan". The first ghazal is titled "YuN na reh reh kar HameiN" and the second is "Hairat se tak raha hai jahan-e-wafa mujhe" (title of the second video on YouTube incorrectly has the word "zamana" instead of "jahan-e-wafa"). Enjoy:
YuN na reh reh kar HameiN:
Hairat se tak raha hai jahan-e-wafa mujhe:
Update II: I discovered all known eight songs of Master Madan on this site maintained by Mr. Surjit Singh.



